《分裂》中的法律与情感

IF 0.3 Q3 LAW

Law and Humanities Pub Date : 2023-07-25 DOI:10.1080/17521483.2023.2236912

A. Louis, A. Subryan, C. Westaby

{"title":"《分裂》中的法律与情感","authors":"A. Louis, A. Subryan, C. Westaby","doi":"10.1080/17521483.2023.2236912","DOIUrl":null,"url":null,"abstract":"The representation of female lawyers in film and television has long been indicative of wider issues of patriarchal crisis. Seminal works by Cynthia Lucia ( Framing Female Lawyers , 2005) and Orit Kamir ( Framed: Women in Law and Film , 2005) have alerted us to the ambivalent representations of female lawyers as personifications of progress, embodiments of social justice and epithets of powerful career women. Women lawyers, Lucia contends, regularly end up on trial themselves for violating norms of femininity and rebelling against patriarchal authority. This paper analyses the representation of female lawyers in the BBC drama The Split (2018–2022) and suggests a more positive reading of female ambivalence. The paper is informed by law and visual culture theory, professional identity theory and community of coping theory to shed light on the emotional complexities, tensions and conflicts that divorce lawyers manage daily.","PeriodicalId":42313,"journal":{"name":"Law and Humanities","volume":" ","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2023-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Law and emotions in The Split\",\"authors\":\"A. Louis, A. Subryan, C. Westaby\",\"doi\":\"10.1080/17521483.2023.2236912\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The representation of female lawyers in film and television has long been indicative of wider issues of patriarchal crisis. Seminal works by Cynthia Lucia ( Framing Female Lawyers , 2005) and Orit Kamir ( Framed: Women in Law and Film , 2005) have alerted us to the ambivalent representations of female lawyers as personifications of progress, embodiments of social justice and epithets of powerful career women. Women lawyers, Lucia contends, regularly end up on trial themselves for violating norms of femininity and rebelling against patriarchal authority. This paper analyses the representation of female lawyers in the BBC drama The Split (2018–2022) and suggests a more positive reading of female ambivalence. The paper is informed by law and visual culture theory, professional identity theory and community of coping theory to shed light on the emotional complexities, tensions and conflicts that divorce lawyers manage daily.\",\"PeriodicalId\":42313,\"journal\":{\"name\":\"Law and Humanities\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-07-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Law and Humanities\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17521483.2023.2236912\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"LAW\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Law and Humanities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17521483.2023.2236912","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"LAW","Score":null,"Total":0}

引用次数: 0

摘要

长期以来，女性律师在电影和电视中的代表性一直表明父权制危机的更广泛问题。辛西娅·露西娅（Cynthia Lucia，《陷害女律师》，2005年）和奥利特·卡米尔（Orit Kamir，《陷害：法律与电影中的女性》，2005）的研讨会作品提醒我们，女律师作为进步的化身、社会正义的化身和有权势的职业女性的绰号，有着矛盾的表述。露西娅认为，女律师经常因违反女性规范和反抗父权权威而受到审判。本文分析了英国广播公司电视剧《分裂》（2018–2022）中女性律师的形象，并提出了对女性矛盾心理的更积极解读。本文运用法律与视觉文化理论、职业认同理论和应对共同体理论，揭示离婚律师日常处理的情感复杂性、紧张关系和冲突。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Law and emotions in The Split

The representation of female lawyers in film and television has long been indicative of wider issues of patriarchal crisis. Seminal works by Cynthia Lucia ( Framing Female Lawyers , 2005) and Orit Kamir ( Framed: Women in Law and Film , 2005) have alerted us to the ambivalent representations of female lawyers as personifications of progress, embodiments of social justice and epithets of powerful career women. Women lawyers, Lucia contends, regularly end up on trial themselves for violating norms of femininity and rebelling against patriarchal authority. This paper analyses the representation of female lawyers in the BBC drama The Split (2018–2022) and suggests a more positive reading of female ambivalence. The paper is informed by law and visual culture theory, professional identity theory and community of coping theory to shed light on the emotional complexities, tensions and conflicts that divorce lawyers manage daily.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Law and Humanities LAW-

CiteScore

1.00

自引率

0.00%

发文量

期刊介绍： Law and Humanities is a peer-reviewed journal, providing a forum for scholarly discourse within the arts and humanities around the subject of law. For this purpose, the arts and humanities disciplines are taken to include literature, history (including history of art), philosophy, theology, classics and the whole spectrum of performance and representational arts. The remit of the journal does not extend to consideration of the laws that regulate practical aspects of the arts and humanities (such as the law of intellectual property). Law and Humanities is principally concerned to engage with those aspects of human experience which are not empirically quantifiable or scientifically predictable. Each issue will carry four or five major articles of between 8,000 and 12,000 words each. The journal will also carry shorter papers (up to 4,000 words) sharing good practice in law and humanities education; reports of conferences; reviews of books, exhibitions, plays, concerts and other artistic publications.