平静的天气:巴特和贝克特

IF 0.2 4区文学 N/A LITERATURE

PARAGRAPH Pub Date : 2022-07-01 DOI:10.3366/para.2022.0397

Diana Leca

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引用次数: 0

摘要

冷静是罗兰·巴特和塞缪尔·贝克特之间一个理论化较少但很重要的联系。从贝克特开始，转到巴特，然后将两者交叉，这篇论文提出平静是一个“可耻的”类别，不能简化为类似的状态，如倦怠或冷漠。在与康德和德昆西等宁静理论家的对话中，平静不再是一种镇静的状态，而是一种互动的过程，需要对巴特所说的“情感最小值”波动的强烈敏感性。在艺术上，这种“情感上的清晰”鼓励了对自然世界的好奇，并使两位作家都有了具体的写作实践——从列表到符号再到俳句。

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Calm Weathers: Barthes with Beckett

Calm is a little-theorized but important link between Roland Barthes and Samuel Beckett. Beginning with Beckett, moving on to Barthes, and then interleaving the two, this paper proposes calm as a ‘scandalous’ category not reducible to kindred states like languor or apatheia. In dialogue with theorists of repose, such as Kant and De Quincey, calmness becomes less a sedated condition than an interactive process, entailing intense sensitivity to the fluctuations of what Barthes calls ‘the affective minimal’. Artistically generative, this ‘emotive lucidity’ encourages inquisitiveness towards the natural world, and enables in both writers specific writing practices — from lists to notation to haiku.

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来源期刊

PARAGRAPH LITERATURE-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Founded in 1983, Paragraph is a leading journal in modern critical theory. It publishes essays and review articles in English which explore critical theory in general and its application to literature, other arts and society. Regular special issues by guest editors highlight important themes and figures in modern critical theory.