纳米塔·戈克勒《帕罗:激情的梦想》中新女性的解放

IF 0.4 3区 文学 0 LITERATURE
ENGLISH Pub Date : 2020-06-02 DOI:10.34293/english.v8i3.3195
A. Sasikala
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引用次数: 0

摘要

本研究的目的是研究Namita Gokhale小说中的新女性,因此,考虑到生活的复杂性、不同的历史、文化和不同的价值观结构,尽管有基本的团结,但女性的问题需要在社会文化状况方面得到解决。在重男轻女的压力和控制下,妇女受到了更多的伤害和社会排斥。他们更容易受到歧视,而且比他们的性别更有偏见。纳米塔·戈克勒的作品反映了妇女在封闭社会压迫机制下的生活和斗争。我们在Namita Gokhale的女主人公中看到了新女性的萌芽,她们不想成为其他人随意移动的橡皮娃娃?她们摒弃了迫使女性走向家庭生活的父权观念,坚持自己的个性,并希望通过教育实现自力更生。他们培养了独立的欲望,过着自己的生活。他们想要承担超越丈夫和孩子的责任。他们不是沉默的反叛者,而是大胆、直言不讳、坚定和注重行动的人。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Emancipation of New Women in Namita Gokhale’s Paro: Dreams of Passion
The purpose of this research is to study new women in the novel of Namita Gokhale, so taking into account the complexity of life, different histories, cultures, and different structures of values, the woman’s question, despite basic solidarity, needs, to be tackled about the socio-cultural situation. Women under the patriarchal pressure and control are subjected to too much more burns and social ostracism. They are more discriminated against and are biased instead of their sex. The lives women live and struggle under the oppressive mechanism of a closed society are reflected in the writings of Namita Gokhale. We see the budding of new women in Namita Gokhale’s heroines, who do not want to be rubber dolls for others to move as they will? Defying patriarchal notions that enforce women towards domesticity, they assert their individuality and hope self-reliance through education. They nurture the desire to be independent and lead lives of their own. They want to shoulder responsibilities that go beyond a husband and children. They are not silent rebels but are bold, outspoken, determined, and action-oriented.
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来源期刊
ENGLISH
ENGLISH LITERATURE-
CiteScore
0.40
自引率
0.00%
发文量
25
期刊介绍: English is an internationally known journal of literary criticism, published on behalf of The English Association. Each issue contains essays on major works of English literature or on topics of general literary interest, aimed at readers within universities and colleges and presented in a lively and engaging style. There is a substantial review section, in which reviewers have space to situate a book within the context of recent developments in its field, and present a detailed argument. English is unusual among academic journals in publishing original poetry. This policy embodies the view that the critical and creative functions, often so widely separated in the teaching of English, can co-exist and cross-fertilise each other.
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