爱沙尼亚人、俄罗斯人和萨米兹达特人的身份:Arno Tsart和Elena Shvarts

IF 0.2 0 LITERATURE
Miriam Rossi
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引用次数: 0

摘要

这篇文章探讨了一个由埃琳娜·施瓦茨创作的文学迷化的案例,这个案例发生在80年代的地下刊物上,主角是一个虚构的爱沙尼亚诗人。意识到翻译在80年代列宁格勒文学地下刊物中所起的作用,本研究着重分析了女诗人的骗局与伪翻译概念的相似性,并从身份研究的角度分析了她努力的原因和结果。这篇文章结合了施瓦茨的诗句,谢尔盖·斯特拉塔诺夫斯基对这一事件的描述,以及爱沙尼亚在地下出版的想象世界中所扮演的角色,探讨了施瓦茨/施瓦茨的神秘化与女诗人及其读者的关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Estonian, Russian and Samizdat Identity: Arno Tsart and Elena Shvarts
The article explores a case of literary mystification by Elena Shvarts that occurred in samizdat during the eighties, featuring a fictitious Estonian poet. Aware of the relevance that translation played in the literary samizdat of Leningrad during the eighties, the investigation focuses on the similarities between the poetess’ hoax and the concept of pseudo-translation, analysing the reasons for and outcomes of her endeavour in terms of identity research. Engaging with Shvarts’ verses, Sergei Stratanovsky’s account of the episode and the position that Estonia played in the samizdat imagined world, the article explores the role of Shvarts/Tsart’s mystification in relation to the poetess and her readership.
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来源期刊
Interlitteraria
Interlitteraria LITERATURE-
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