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引用次数: 0
摘要
本文探讨了诗人罗伯特·邓肯与诺曼·o·布朗之间的密切关系。他们长期的友谊和共同的知识爱好对两人都产生了影响,布朗一度评论说,“罗伯特·邓肯的诗歌使《爱的身体》的创作成为可能。”邓肯以同样的方式回应了布朗,他在《圣克鲁斯命题》(Santa Cruz proposition)中提到了布朗,这是布朗在加州大学圣克鲁斯分校(University of California, Santa Cruz)居住期间写的。这首诗借鉴了布朗的爱神论,作为一种恶魔般的力量来批评他(邓肯)的老朋友丹尼斯·莱弗托夫(Denise Levertov),他觉得她的反战诗歌变得刺耳和威吓。同时,这首诗试图引出布朗酒神的诗歌潜能。邓肯让诺曼·o·布朗在这一努力中成为了一个不知情的同谋,他试图揭示这位赤裸的诗人在学术袍下的真面目。这篇文章的大部分内容都是基于这两个人物之间的通信。
This essay explores the close relationship between the poet Robert Duncan and Norman O. Brown. Their long friendship and shared intellectual interests were generative for both, allowing Brown at one point to remark that the “poetry of Robert Duncan had made the writing of Love's Body possible.” Duncan responded in kind by featuring Brown in “Santa Cruz Propositions,” written while the poet was in residence at the University of California, Santa Cruz. That poem draws on Brown's theories of Eros as a daemonic power to criticize his (Duncan's) old friend, Denise Levertov, whose anti-war poetry he felt had grown shrill and hectoring. At the same time, the poem attempts to draw out Brown's Dionysian, poetic potential. Duncan made Norman O. Brown an unwitting co-conspirator in this effort by attempting to reveal the naked poet beneath the academic robes. Much of the essay is based on correspondence between the two figures.
期刊介绍:
Extending beyond the postmodern, boundary 2, an international journal of literature and culture, approaches problems in these areas from a number of politically, historically, and theoretically informed perspectives. boundary 2 remains committed to understanding the present and approaching the study of national and international culture and politics through literature and the human sciences.