像每个人都在看的一样移动：社会背景影响弦乐四重奏表演中的头部运动和凝视

IF 1.1 4区计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS

Journal of New Music Research Pub Date : 2021-08-08 DOI:10.1080/09298215.2021.1977338

Laura Bishop, Victor González Sánchez, B. Laeng, A. Jensenius, Simon Høffding

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引用次数: 6

摘要

合奏乐团的音乐家通过眼神和身体动作在视觉上相互交流。我们进行了一个案例研究，以测试弦乐四重奏音乐家如何应对旨在阻碍或促进视觉交流行为的演奏条件。在排练和音乐会条件下在不同座位上表演的四重奏乐队。当音乐家的目光受到限制时，头部运动的数量会减少。音乐家之间的凝视和身体动作的差异反映了他们在合奏中的音乐角色。总的来说，我们的研究结果表明，随着音乐、情境和社会因素的变化，表演内部和表演之间的凝视和运动动态会发生变化。

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Move like everyone is watching: Social context affects head motion and gaze in string quartet performance

Ensemble musicians engage with each other visually through glances and body motion. We conducted a case study to test how string quartet musicians would respond to playing conditions that were meant to discourage or promote visually communicative behaviour. A quartet performed in different seating configurations under rehearsal and concert conditions. Quantity of head motion was reduced when musicians' gaze was constrained. Differences in gaze and body motion between musicians reflected their musical roles in the ensemble. Overall, our findings suggest that gaze and motion dynamics vary within and between performances in response to changing musical, situational and social factors.

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来源期刊

Journal of New Music Research 工程技术-计算机：跨学科应用

CiteScore

3.20

自引率

0.00%

发文量

审稿时长

>12 weeks

期刊介绍： The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.