{"title":"维拉·萨内蒂绘画中的西班牙内战与多米尼加流亡","authors":"Antonio J. Canela-Ruano","doi":"10.3989/CHDJ.2018.006","DOIUrl":null,"url":null,"abstract":"The Spanish Civil War caused the largest diaspora of contemporary Spain. Within the consequences of this dispersion, this paper proposes to analyze the transformations that took place in the painting of muralist José Vela Zanetti. However, in order to delineate the artist’s progress and the different painting techniques that he assumed in the Dominican Republic, where his mandatory exile took him, it is important to start from the stage that preceded it, both at a personal level and at that of changing contexts. Methodologically, this paper is approached from the viewpoint of social and cultural history, with two basic conceptual pillars: transculturation and cultural transfer. The analysis of numerous sources has allowed us to learn about the multiple influences and feedbacks that occurred from the perspective of the exile and the host country, so as to stimulate debate about the artistic transformations of exiled painters and Dominican artists in 1940’s.","PeriodicalId":51942,"journal":{"name":"Culture & History Digital Journal","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2018-07-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Spanish Civil War and the Dominican exile in the painting of Vela Zanetti\",\"authors\":\"Antonio J. Canela-Ruano\",\"doi\":\"10.3989/CHDJ.2018.006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Spanish Civil War caused the largest diaspora of contemporary Spain. Within the consequences of this dispersion, this paper proposes to analyze the transformations that took place in the painting of muralist José Vela Zanetti. However, in order to delineate the artist’s progress and the different painting techniques that he assumed in the Dominican Republic, where his mandatory exile took him, it is important to start from the stage that preceded it, both at a personal level and at that of changing contexts. Methodologically, this paper is approached from the viewpoint of social and cultural history, with two basic conceptual pillars: transculturation and cultural transfer. The analysis of numerous sources has allowed us to learn about the multiple influences and feedbacks that occurred from the perspective of the exile and the host country, so as to stimulate debate about the artistic transformations of exiled painters and Dominican artists in 1940’s.\",\"PeriodicalId\":51942,\"journal\":{\"name\":\"Culture & History Digital Journal\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2018-07-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Culture & History Digital Journal\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.3989/CHDJ.2018.006\",\"RegionNum\":4,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Culture & History Digital Journal","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.3989/CHDJ.2018.006","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
The Spanish Civil War and the Dominican exile in the painting of Vela Zanetti
The Spanish Civil War caused the largest diaspora of contemporary Spain. Within the consequences of this dispersion, this paper proposes to analyze the transformations that took place in the painting of muralist José Vela Zanetti. However, in order to delineate the artist’s progress and the different painting techniques that he assumed in the Dominican Republic, where his mandatory exile took him, it is important to start from the stage that preceded it, both at a personal level and at that of changing contexts. Methodologically, this paper is approached from the viewpoint of social and cultural history, with two basic conceptual pillars: transculturation and cultural transfer. The analysis of numerous sources has allowed us to learn about the multiple influences and feedbacks that occurred from the perspective of the exile and the host country, so as to stimulate debate about the artistic transformations of exiled painters and Dominican artists in 1940’s.
期刊介绍:
Culture & History Digital Journal features original scientific articles and review articles, aimed to contribute to the methodological debate among historians and other scholars specialized in the fields of Human and Social Sciences, at an international level. Using an interdisciplinary and transversal approach, this Journal poses a renovation of the studies on the past, relating them and dialoguing with the present, breaking the traditional forms of thinking based on chronology, diachronic analysis, and the classical facts and forms of thinking based exclusively on textual and documental analysis. By doing so, this Journal aims to promote not only new subjects of History, but also new forms of addressing its knowledge.