残疾妇女的代表和最近残疾妇女领导的媒体

IF 1.9 2区 社会学 Q2 REHABILITATION
A. Wilde
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引用次数: 0

摘要

摘要这是一个当前的问题,因为媒体行业最近重新努力解决残疾代表方面的问题,包括2020/2021年英国针对残疾人主导内容的举措。分析这些新的工作形式将是必要的,以了解更多,以改进未来的表现。由于在媒体的学术分析中,残疾女性的形象被不成比例地忽视了,我把重点放在了《母鸡之夜》上,这是英国广播公司隔离文化工作节目的一集。我将此作为残疾妇女代表权的一个例子进行讨论。我认为,《母鸡之夜》以及残疾人在最近的作品集中创作和表演的其他作品,为主流媒体中残疾形象和社会关系的性别维度如何以及为什么开始变得更好提供了宝贵的见解,提高对残疾妇女在文化产业和性别代表形式中继续面临的边缘化形式的理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The representation of disabled women and recent disabled women-led media
Abstract This is a Current Issue because media industries have recently made renewed efforts to address problems in representations of disability, including UK initiatives for disabled-led content in 2020/2021. Analysis of these new forms of work will be necessary to learn more for improving future representations. Since portrayals of disabled women have been disproportionately neglected in academic analysis of media, my focus is on ‘Hen Night’, an episode of the BBC’s Culture in Quarantine programme of work. I discuss this as an exemplar of disabled women’s representation. I argue that ‘Hen Night’, and other pieces written and performed by disabled people in recent collections provide valuable insights into how and why gendered dimensions of disability imagery and social relations in mainstream media can begin to be changed for the better, improving understanding of the forms of marginalisation disabled women continue to face in cultural industries and gendered forms of representation.
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来源期刊
CiteScore
5.50
自引率
12.50%
发文量
109
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