纪念过去与表演力量:卡里古拉钱币上的祖先游行

IF 0.2 3区 历史学 0 CLASSICS
Antichthon Pub Date : 2023-08-17 DOI:10.1017/ann.2023.8
Gwynaeth McIntyre
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引用次数: 0

摘要

这篇文章探讨了卡利古拉通过他的三种硬币类型所呈现的游行来恢复他的家庭和表现皇权之间的联系。它认为,卡利古拉使用与硬币类型有关的游行描述来庆祝他的父亲,母亲和兄弟,以创造一个“祖先游行”。这些硬币作为便携的视觉提醒(纪念碑),用于纪念公元17年日耳曼尼克斯的胜利之蓬,在卡利古拉即位时,阿格里皮娜的形象被包括在胜利之蓬中,作为授予卡利古拉家族成员的荣誉的一部分,在卡利古拉统治的早期,尼禄和德鲁苏斯的形象可能被包括在transvectio equium的头部。通过这种方式让他的家人在他的硬币上游行,卡利古拉能够通过回顾和纪念过去来推动自己前进,从而为这些公开的权力表演创造了永久的纪念碑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Commemorating the Past and Performing Power: Parades of Ancestors on Caligula's Coinage
This article explores the interconnection between Caligula's rehabilitation of his family and the performance of imperial power through processions as presented on three of his coin types. It argues that Caligula used the depictions of processions in connection with coin types celebrating his father, mother, and brothers to create a ‘parade of ancestors’. These coins served as portable visual reminders (monumenta) of Germanicus’ pompa triumphalis of 17 CE, the inclusion of Agrippina's image into the pompa circensis as part of the honours granted to Caligula's family members upon his accession, and the likely inclusion of Nero and Drusus’ images at the head of the transvectio equitum during the early years of Caligula's reign. By parading his family members on his coins in this way, Caligula was able to propel himself forward by looking to and commemorating the past, thereby creating permanent monumenta of these public performances of power.
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Antichthon
Antichthon CLASSICS-
CiteScore
0.20
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