{"title":"从电影节到在线流媒体:发行和展览的循环","authors":"Olivia Khoo","doi":"10.3366/edinburgh/9781474461764.003.0004","DOIUrl":null,"url":null,"abstract":"This chapter examines how the growth of specialised Asian film festivals (e.g. Busan, Hong Kong, Udine) participates in the development of a regional Asian cinema. It also considers the rise of digital distribution and exhibition of Asian cinema through online streaming models such as Viddsee. The chapter explores how alternative circuits of distribution respond to and in turn precipitate different audience consumption practices as filmmakers continue to seek ways of making films that will cross national markets.","PeriodicalId":41198,"journal":{"name":"Asian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2021-02-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"From Film Festivals to Online Streaming: Circuits of Distribution and Exhibition\",\"authors\":\"Olivia Khoo\",\"doi\":\"10.3366/edinburgh/9781474461764.003.0004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter examines how the growth of specialised Asian film festivals (e.g. Busan, Hong Kong, Udine) participates in the development of a regional Asian cinema. It also considers the rise of digital distribution and exhibition of Asian cinema through online streaming models such as Viddsee. The chapter explores how alternative circuits of distribution respond to and in turn precipitate different audience consumption practices as filmmakers continue to seek ways of making films that will cross national markets.\",\"PeriodicalId\":41198,\"journal\":{\"name\":\"Asian Cinema\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-02-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Asian Cinema\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474461764.003.0004\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Asian Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474461764.003.0004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
From Film Festivals to Online Streaming: Circuits of Distribution and Exhibition
This chapter examines how the growth of specialised Asian film festivals (e.g. Busan, Hong Kong, Udine) participates in the development of a regional Asian cinema. It also considers the rise of digital distribution and exhibition of Asian cinema through online streaming models such as Viddsee. The chapter explores how alternative circuits of distribution respond to and in turn precipitate different audience consumption practices as filmmakers continue to seek ways of making films that will cross national markets.