{"title":"狩猎杂志封面上不断变化的野生动物画面","authors":"E. Essen","doi":"10.1163/15685306-bja10002","DOIUrl":null,"url":null,"abstract":"\nHunting trophies are shown to be undergoing socialization in photos. They are no longer personal souvenirs that serve a purely introspective function for the individual. Hunting photos are discussed, critiqued, and conspicuously displayed across online and print platforms. They are shared between hunters and lately also between hunters and the public. Criteria for good hunting photos reflect the changing modality and times in which photos are shared. The ways hunters stage, compose, and manipulate their hunting tableaux evolve to address external and internal pressures regarding their representation. This evolution is illustrated in qualitative interviews with hunting magazine editors and hunting photographers in Sweden, as well as review of 320 hunting magazine covers from 1960s to today. To this new class of hunter-artists, the presentation of the quarry as object or sovereign wildlife changes the hunting tableau and also responds to contested ideals of authenticity in nature.","PeriodicalId":22000,"journal":{"name":"Society & Animals","volume":" ","pages":"1-23"},"PeriodicalIF":0.6000,"publicationDate":"2020-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/15685306-bja10002","citationCount":"1","resultStr":"{\"title\":\"The Changing Wildlife Tableau of Hunting Magazine Covers\",\"authors\":\"E. Essen\",\"doi\":\"10.1163/15685306-bja10002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\nHunting trophies are shown to be undergoing socialization in photos. They are no longer personal souvenirs that serve a purely introspective function for the individual. Hunting photos are discussed, critiqued, and conspicuously displayed across online and print platforms. They are shared between hunters and lately also between hunters and the public. Criteria for good hunting photos reflect the changing modality and times in which photos are shared. The ways hunters stage, compose, and manipulate their hunting tableaux evolve to address external and internal pressures regarding their representation. This evolution is illustrated in qualitative interviews with hunting magazine editors and hunting photographers in Sweden, as well as review of 320 hunting magazine covers from 1960s to today. To this new class of hunter-artists, the presentation of the quarry as object or sovereign wildlife changes the hunting tableau and also responds to contested ideals of authenticity in nature.\",\"PeriodicalId\":22000,\"journal\":{\"name\":\"Society & Animals\",\"volume\":\" \",\"pages\":\"1-23\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2020-03-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1163/15685306-bja10002\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Society & Animals\",\"FirstCategoryId\":\"97\",\"ListUrlMain\":\"https://doi.org/10.1163/15685306-bja10002\",\"RegionNum\":4,\"RegionCategory\":\"农林科学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"SOCIOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Society & Animals","FirstCategoryId":"97","ListUrlMain":"https://doi.org/10.1163/15685306-bja10002","RegionNum":4,"RegionCategory":"农林科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"SOCIOLOGY","Score":null,"Total":0}
The Changing Wildlife Tableau of Hunting Magazine Covers
Hunting trophies are shown to be undergoing socialization in photos. They are no longer personal souvenirs that serve a purely introspective function for the individual. Hunting photos are discussed, critiqued, and conspicuously displayed across online and print platforms. They are shared between hunters and lately also between hunters and the public. Criteria for good hunting photos reflect the changing modality and times in which photos are shared. The ways hunters stage, compose, and manipulate their hunting tableaux evolve to address external and internal pressures regarding their representation. This evolution is illustrated in qualitative interviews with hunting magazine editors and hunting photographers in Sweden, as well as review of 320 hunting magazine covers from 1960s to today. To this new class of hunter-artists, the presentation of the quarry as object or sovereign wildlife changes the hunting tableau and also responds to contested ideals of authenticity in nature.
期刊介绍:
Society & Animals publishes studies that describe and analyze our experiences of non-human animals from the perspective of various disciplines within both the Social Sciences (e.g., psychology, sociology, anthropology, political science) and the Humanities (e.g., history, literary criticism).
The journal specifically deals with subjects such as human-animal interactions in various settings (animal cruelty, the therapeutic uses of animals), the applied uses of animals (research, education, medicine and agriculture), the use of animals in popular culture (e.g. dog-fighting, circus, animal companion, animal research), attitudes toward animals as affected by different socializing agencies and strategies, representations of animals in literature, the history of the domestication of animals, the politics of animal welfare, and the constitution of the animal rights movement.