节日和文化活动——一个目的地的吸引力和触发因素改变后共产主义罗马尼亚的景观

Ana-Irina Dinca, M. Preda
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引用次数: 0

摘要

1989年罗马尼亚革命后,节日和文化活动成为一种时尚趋势,吸引新观众,并重新吸引老观众参与公共社会文化表现。这一文化产品是根据最近的发展政策和文化议程设计的,目的是在国际市场上推出后共产主义罗马尼亚旅游产品,并与严峻的社会经济转型过程相对应,尽管这些活动很新颖,也得到了行政当局的热烈支持,但它们产生的旅游吸引力不如预期,而且往往与当地不同类型的活动随机混合在一起文化议程是“节日化”进程的一部分,这是1990年后民主罗马尼亚的特征。然而,节日和文化活动可以被认为是罗马尼亚社会经济过渡进程中一个重要的变化触发因素。我们的研究试图确定节日和文化活动在当代罗马尼亚的形式,并广泛分析现有的最重要的文化活动旅游目的地,作为不断发展和深刻变化的社会经济本土景观的主要重塑和促进中心。考虑到深刻变化的后共产主义景观所涉及的问题,以及旅游业中媒介化凝视的压倒性力量,我们对目的地网站及其文化议程进行了扩展分析,从中分离出罗马尼亚大城市及其主要活动作为文化旅游吸引力的积极和消极方面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Festivals and cultural events – a destination attractor and a triggering factor of change in the post-communist Romanian landscape
Festivals and cultural events became a fashionable trend after the 1989 Revolution in Romania engaging new audiences and re-engaging old ones in public socio-cultural manifestations. This cultural product was designed and was included by recent development policies and cultural agendas in the attempt to launch post-communist Romanian tourism products on the international market and counterpart the severe socio-economic transformation process Despite their novelty and enthusiastic support from behalf of administrative authorities these events generate less tourism attractiveness than expected and are often randomly mingled with different types of events within a local cultural agendas part of the ‘festivalisation’ process that characterized the democratic Romania after 1990. However festivals and cultural events may be considered an important triggering factor of change in the Romanian socio-economic transition process. Our study attempts to identify the form in which festivals and cultural events are to be found in the contemporary Romania and to extensively analyze the existing most important cultural event tourist destinations as the main reinventing and promoting centers of the continuously evolving and profoundly changed socioeconomic autochthonous landscape. Considering both the issues involved by a profoundly changed post-communist landscape and the overpower of mediatized gaze in tourism an extended analyses of the destination internet sites and of their cultural agendas was made from which positive and negative aspects for the large Romanian cities and their main events as cultural tourism attractors were detached.
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