{"title":"节奏，规模，时间：塔玛拉·卡门萨因的长期故事","authors":"Sandra Contreras","doi":"10.19137/anclajes-2022-2613","DOIUrl":null,"url":null,"abstract":": The edition of La novela de la poesía (2012) already made evident two fun - damental issues in Tamara Kamenszain’s writing: on the one hand, a specific inscription of the passage poetry/novel/essay; on the other, the book (the edition, the support, the object) as a link . More recently, El libro de Tamar (2018) and Libros chiquitos (2020) illumi-nate in a special way two other constitutive aspects of the process: one, the temporal spiral between the program of the 70s and the present of writing, which converts the series in a long duration narrative; two, the problem of limits in the form of scale. In this","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Tempo, escala, tiempos: el relato de larga duración de Tamara Kamenszain\",\"authors\":\"Sandra Contreras\",\"doi\":\"10.19137/anclajes-2022-2613\",\"DOIUrl\":null,\"url\":null,\"abstract\":\": The edition of La novela de la poesía (2012) already made evident two fun - damental issues in Tamara Kamenszain’s writing: on the one hand, a specific inscription of the passage poetry/novel/essay; on the other, the book (the edition, the support, the object) as a link . More recently, El libro de Tamar (2018) and Libros chiquitos (2020) illumi-nate in a special way two other constitutive aspects of the process: one, the temporal spiral between the program of the 70s and the present of writing, which converts the series in a long duration narrative; two, the problem of limits in the form of scale. In this\",\"PeriodicalId\":40458,\"journal\":{\"name\":\"Anclajes\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Anclajes\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.19137/anclajes-2022-2613\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Anclajes","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.19137/anclajes-2022-2613","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
摘要
：《La novera de La poesía》（2012）版已经在塔玛拉·卡门扎因的作品中提出了两个有趣的重要问题：一方面，段落诗歌/小说/散文的具体铭文；另一方面，将书籍（版本、支持、对象）作为链接。最近，El libro de Tamar（2018）和Libros chiquitos（2020）以一种特殊的方式阐述了这一过程的另外两个组成方面：一是70年代的节目和现在的写作之间的时间螺旋，这将该系列转化为长时间的叙事；二是尺度形式的极限问题。在这个
Tempo, escala, tiempos: el relato de larga duración de Tamara Kamenszain
: The edition of La novela de la poesía (2012) already made evident two fun - damental issues in Tamara Kamenszain’s writing: on the one hand, a specific inscription of the passage poetry/novel/essay; on the other, the book (the edition, the support, the object) as a link . More recently, El libro de Tamar (2018) and Libros chiquitos (2020) illumi-nate in a special way two other constitutive aspects of the process: one, the temporal spiral between the program of the 70s and the present of writing, which converts the series in a long duration narrative; two, the problem of limits in the form of scale. In this
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