记录智利独裁统治的遗产:在纪录片El pacto de Adriana和El color del camaleón中质疑家庭关系

IF 0.2 Q4 COMMUNICATION
Canet Centellas, Fernando Javier
{"title":"记录智利独裁统治的遗产:在纪录片El pacto de Adriana和El color del camaleón中质疑家庭关系","authors":"Canet Centellas, Fernando Javier","doi":"10.1386/MACP.15.2.125_1","DOIUrl":null,"url":null,"abstract":"The Chilean dictatorship is the subject of a number of recent non-fiction films in which the construction of Chile’s collective memory also focuses on those who supported, collaborated or participated in the perpetration of the abuses and atroci-ties committed by the regime. In recent years, a new generation of Chilean film-makers has emerged; among these are Andrés Lübbert and Lissette Orozco, whose documentary films about the dictatorship, El color del camaleón (‘The color of the chameleon’) and El pacto de Adriana (‘Adriana’s pact’), respectively, were both released in 2017. In both films, the memorialization of Chile’s past is associated with","PeriodicalId":44504,"journal":{"name":"International Journal of Media & Cultural Politics","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"7","resultStr":"{\"title\":\"Documenting the legacies of the Chilean dictatorship: Questioning the family relationship in the documentary films El pacto de Adriana and El color del camaleón\",\"authors\":\"Canet Centellas, Fernando Javier\",\"doi\":\"10.1386/MACP.15.2.125_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Chilean dictatorship is the subject of a number of recent non-fiction films in which the construction of Chile’s collective memory also focuses on those who supported, collaborated or participated in the perpetration of the abuses and atroci-ties committed by the regime. In recent years, a new generation of Chilean film-makers has emerged; among these are Andrés Lübbert and Lissette Orozco, whose documentary films about the dictatorship, El color del camaleón (‘The color of the chameleon’) and El pacto de Adriana (‘Adriana’s pact’), respectively, were both released in 2017. In both films, the memorialization of Chile’s past is associated with\",\"PeriodicalId\":44504,\"journal\":{\"name\":\"International Journal of Media & Cultural Politics\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2019-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"7\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Journal of Media & Cultural Politics\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/MACP.15.2.125_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Media & Cultural Politics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/MACP.15.2.125_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 7

摘要

智利独裁政权是最近一些非虚构电影的主题,在这些电影中,智利集体记忆的构建也聚焦于那些支持、合作或参与实施该政权虐待和暴行的人。近年来,智利出现了新一代的电影制作人;其中包括安德烈斯·吕伯特(Andrés Lübbert)和利塞特·奥罗斯科(Lissette Orozco),他们关于独裁统治的纪录片《变色龙的颜色》(El color del camaleón)和《阿德里安娜的约定》(El pacto de Adriana)分别于2017年上映。在这两部电影中,对智利过去的纪念都与
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Documenting the legacies of the Chilean dictatorship: Questioning the family relationship in the documentary films El pacto de Adriana and El color del camaleón
The Chilean dictatorship is the subject of a number of recent non-fiction films in which the construction of Chile’s collective memory also focuses on those who supported, collaborated or participated in the perpetration of the abuses and atroci-ties committed by the regime. In recent years, a new generation of Chilean film-makers has emerged; among these are Andrés Lübbert and Lissette Orozco, whose documentary films about the dictatorship, El color del camaleón (‘The color of the chameleon’) and El pacto de Adriana (‘Adriana’s pact’), respectively, were both released in 2017. In both films, the memorialization of Chile’s past is associated with
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
1.10
自引率
0.00%
发文量
6
期刊介绍: The International Journal of Media and Cultural Politics (MCP) is a peer-reviewed journal aiming at analysing social and cultural communication processes with an interdisciplinary approach. MCP pays attention to contemporary issues striving to encourage academic responses to pressing world events, offering policy-oriented thinking. The content focus is critical, in-depth analysis and engaged research of the intersections of communication and media studies, sociology, politics, economics, and cultural studies with the aim of keeping academic analysis in dialogue with the practical world of communications, culture and politics. The journal publishes theoretical and empirical contributions from a wide and diverse community of researchers, and from any methodological and epistemological approach.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信