新冠肺炎与英国爵士音乐家

IF 0.2 0 MUSIC
Elina Hytönen-Ng
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引用次数: 0

摘要

爵士乐是一种非常依赖现场表演的流派。因此,与新冠肺炎相关的封锁极大地影响了爵士乐音乐家,这是可以理解的。在这篇文章中,我通过使用阿诺德·范·根内普(1960)和维克托·特纳(1982)概念化的“极限状态”的概念来反思伦敦爵士音乐家的故事,研究他们如何描述封锁,特别是封锁对他们的财务和情感影响。在2020年春季至2021年春季期间,对爵士乐音乐家进行了十次结构化主题采访。文章首先概述了收集的数据和采用的道德程序,然后我研究了新冠肺炎对参与现场音乐的爵士音乐家的总体情感和心理影响。在反思了音乐家们在疫情期间得到的支持后,文章继续概述了音乐家们封锁期间学到的新技能。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
COVID-19 and British Jazz Musicians
Jazz is a genre that relies heavily on live performance. It is therefore understandable that the COVID-19 related lockdown greatly affected jazz musicians. In this article, I reflect on London-based jazz musicians’ stories by using the idea of “liminal state”, as conceptualized by Arnold van Gennep (1960) and Victor Turner (1982), examining how they described the lockdown, in particular the financial and emotional impacts it had on them. Between spring 2020 and spring 2021, ten structured theme interviews with jazz musicians were conducted. The article commences by overviewing the data gathered and the ethical procedures adopted, after which I examine the overall emotional and psychological effects that COVID-19 had on jazz musicians who participate in live music. After reflecting on the support that the musicians have received during the pandemic, the article proceeds to outline the new skills that the musicians learned during lockdown.
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
12
期刊介绍: Journal of World Popular Music is a peer-reviewed academic journal that publishes research and scholarship on recent issues and debates surrounding international popular musics, also known as World Music, Global Pop, World Beat or, more recently, World Music 2.0. The journal provides a forum to explore the manifestations and impacts of post-globalizing trends, processes, and dynamics surrounding these musics today. It adopts an open-minded perspective, including in its scope any local popularized musics of the world, commercially available music of non-Western origin, musics of ethnic minorities, and contemporary fusions or collaborations with local ‘traditional’ or ‘roots’ musics with Western pop and rock musics. Placing specific emphasis on contemporary, interdisciplinary, and international perspectives, the journal’s special features include empirical research and scholarship into the global creative and music industries, the participants of World Music, the musics themselves and their representations in all media forms today, among other relevant themes and issues; alongside explorations of recent ideas and perspectives from popular music, ethnomusicology, anthropology, musicology, communication, media and cultural studies, sociology, geography, art and museum studies, and other fields with a scholarly focus on World Music. The journal also features special, guest-edited issues that bring together contributions under a unifying theme or geographical area.
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