Percival Everett《伤兵》中的自然主义元素

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY
Leah Abuan Milne
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引用次数: 0

摘要

本文通过对“自然主义”一词的三次应用来审视珀西瓦尔·埃弗雷特2005年的小说《受伤》,以展示这部作品如何使自然与人、人与动物之间的划分复杂化。首先,这篇文章展示了主人公约翰·亨特如何与自然的关系作斗争,这既是一种喘息的来源,也是他作为驯马师生计的一部分。接下来,《伤兵》的“自然主义”元素揭示了经典西部片中神话般的西方是如何影响对“真实”西方的看法的。最后,文章对《伤兵》作为美国文学自然主义的作品进行了评价,特别是在它引发的关于自由意志和决定论的问题方面。总之,“自然主义”一词的这些应用揭示了大自然是如何成为约翰的人类道德和个人主义晴雨表的,迫使我们质疑人是否真的优于自然。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Naturalistic Elements in Percival Everett’s Wounded
This article examines Percival Everett’s 2005 novel Wounded through three applications of the word “naturalistic” in order to show how the work complicates divisions between nature and man and man and animal. First, the article shows how its protagonist, John Hunt, contends with his relationship to nature as both a source of respite and as part of his livelihood as a horse trainer. Next, “naturalistic” elements of Wounded reveal how the mythic West of classic Westerns has influenced perspectives on the “real” West. Finally, the article assesses Wounded as a work of American literary naturalism, particularly in terms of the questions it inspires about free will and determinism. Together, these applications of the word “naturalistic” expose how nature acts as John’s barometer for human morality and individualism, forcing us to question whether man is truly superior over nature.
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