公共空间对作家的启示——写卡罗尔·希尔兹的《除非》中的多元化国家与私有化威胁

Pub Date : 2020-10-29 DOI:10.3828/bjcs.2020.4
Esra Melikoğlu
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引用次数: 0

摘要

摘要:在卡罗尔·希尔兹的《除非》中,主人公雷塔·温特斯在她的叙述中重新审视了她在郊区的私人住宅和多伦多的公共空间。这些网站帮助她思考空间的作用,并最终帮助她作为一名作家重新定义这个国家。雷塔的家乡象征着一个未完全修改的加拿大。空间的私有化、郊区化和消费主义,以及她作为一名女作家在相对特权地位上的自我专注,使自私和对(其他形式)争吵的恐惧永久存在。雷塔必须扩大她作为一名差异作家的兴趣范围,并重新考虑公共空间,一个具有不同种族和阶级身份的场所,作为多元化国家的典范。
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Public Space as Inspiration for the Writer: Writing the Diverse Nation and the Threat of Privatisation in Carol Shields's Unless
Abstract:In Carol Shields's Künstlerroman Unless, protagonist Reta Winters revisits, in her narrative, her private home in suburbia and the public spaces of Toronto. These sites help her ponder the role of space and ultimately her own role as a writer in redefining the nation. Reta's home emblematises an incompletely revised Canada. Privatisation of space, suburbanisation, and consumerism, as well as her self-absorption in her relatively privileged position as a woman writer, perpetuate selfishness and fear of (other forms of) alterity. Reta must widen her scope of interest as a writer of difference and reconsider public space, a site of different ethnic and class identities, as a model for the diverse nation.
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