“时间的斑点”——迈克尔·韦塞尔斯与身份的想象再阐释

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Kobus Moolman
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引用次数: 1

摘要

对于林子、秋原和陶来说,虽然迈克尔·韦塞尔斯在阅读圣口述文学、土著政治和生态批评方面的许多工作在他一生中都得到了承认,但他的研究还有另一个被忽视的方面。迈克尔·韦塞尔斯一直对诗歌有着深厚的热爱,在他生命的尽头,他开始更加专注于写作和出版。在这篇文章中,我探讨了韦塞尔斯的关键长诗《食人时间》,但后来改为《时间的斑点》(我将称之为《时间》),在这首诗中,他构建了一本富有想象力的自传,包括旅行写作、短篇散文和诗歌。根据华兹华斯的《序曲》,我采用了批判和创造性的方法,认为韦塞尔诗歌的主题与其说是事实和历史意义上的“我的生活”,不如说是“诗人的创作”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Spots of Time” – Michael Wessels and the Imaginative Reinterpretation of Identity
For Linzi, Akira and Tao While much of Michael Wessels’s work on reading San oral literature, the politics of indigeneity and ecocriticism was acknowledged during his life, there is another dimension to his research that has been overlooked. Michael Wessels always had a deep love of poetry, and toward the end of his life, he had begun to focus more on his writing and to publish. In this article, I explore Wessels’s key long poem published as “Cannibal Time,” but subsequently changed to “Spots of Time” (as I will refer to it), in which he constructs an imaginative autobiography that includes travel writing, short prose and poetry. Drawing upon Wordsworth’s The Prelude, I employ both a critical and creative methodology to argue that the subject of Wessels’s poem is less ‘my life’ in a factual and historical sense, and rather more ‘the making of a poet’.
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
9
期刊介绍: Current Writing: Text and Reception in Southern Africa is published bi-annually by Routledge. Current Writing focuses on recent writing and re-publication of texts on southern African and (from a ''southern'' perspective) commonwealth and/or postcolonial literature and literary-culture. Works of the past and near-past must be assessed and evaluated through the lens of current reception. Submissions are double-blind peer-reviewed by at least two referees of international stature in the field. The journal is accredited with the South African Department of Higher Education and Training.
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