十九世纪中国外销油画创作背景考察

IF 0.8 4区化学 0 ARCHAEOLOGY

Studies in Conservation Pub Date : 2022-08-17 DOI:10.1080/00393630.2022.2091729

Bin Wang

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引用次数: 0

摘要

本文总结了对19世纪中国画家油画进行的首次技术艺术史研究的结果。为了确定画家在制作绘画准备层时使用的材料，我们对12幅出口油画的颜料横截面进行了检查和比较。重点研究了堆积层地基的组成特点和结构特点。衰减全反射(ATR)结合傅里叶变换红外光谱(FTIR)和扫描电子显微镜结合能量色散x射线光谱(SEM-EDX)分析了制备层中使用的颜料、填料、结合介质和添加剂。这些发现也被认为与当时中国出口油画技术和材料的已知情况有关。

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An Investigation of the Grounds in Nineteenth-Century Chinese Export Oil Paintings

ABSTRACT This article summarises the findings of the first technical art historical study conducted on the oil paintings of nineteenth-century Chinese painters. Twelve paint cross-sections from export oil paintings were examined and compared in order to establish the painters’ use of materials to make the preparatory layers of paintings. The research focuses on the characteristics of the composition of the ground and structure of the build-up ground layers. Attenuated total reflection (ATR) in conjunction with Fourier transform infrared spectroscopy (FTIR) and scanning electron microscopy coupled with energy dispersive X-ray spectroscopy (SEM-EDX) were performed to analyse the pigments, fillers, binding media, and additives used in the preparatory layers. The findings are also considered in relation to what is known about Chinese export oil painting techniques and materials of the era.

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来源期刊

Studies in Conservation 化学-分析化学

CiteScore

1.80

自引率

12.50%

发文量

审稿时长

>12 weeks

期刊介绍： Studies in Conservation is the premier international peer-reviewed journal for the conservation of historic and artistic works. The intended readership includes the conservation professional in the broadest sense of the term: practising conservators of all types of object, conservation, heritage and museum scientists, collection or conservation managers, teachers and students of conservation, and academic researchers in the subject areas of arts, archaeology, the built heritage, materials history, art technological research and material culture. Studies in Conservation publishes original work on a range of subjects including, but not limited to, examination methods for works of art, new research in the analysis of artistic materials, mechanisms of deterioration, advances in conservation practice, novel methods of treatment, conservation issues in display and storage, preventive conservation, issues of collection care, conservation history and ethics, and the history of materials and technological processes. Scientific content is not necessary, and the editors encourage the submission of practical articles, review papers, position papers on best practice and the philosophy and ethics of collecting and preservation, to help maintain the traditional balance of the journal. Whatever the subject matter, accounts of routine procedures are not accepted, except where these lead to results that are sufficiently novel and/or significant to be of general interest.