欢迎内部的敌人？：热情好客、自我豁免和伊斯梅尔·卡达雷《破碎的四月》中的血海深仇

IF 0.3 Q3 LAW

Law and Humanities Pub Date : 2021-07-03 DOI:10.1080/17521483.2021.1995313

Catherine Macmillan

{"title":"欢迎内部的敌人？：热情好客、自我豁免和伊斯梅尔·卡达雷《破碎的四月》中的血海深仇","authors":"Catherine Macmillan","doi":"10.1080/17521483.2021.1995313","DOIUrl":null,"url":null,"abstract":"ABSTRACT The protagonist of Kadare’s novel Broken April, set in the North Albanian Plateau, is required to kill his brother’s murderer according to the rules of the Kanun, a customary code of law according to which blood must be avenged, sometimes leading to generations of vendetta. In this context, the paper discusses the themes of hospitality and the blood feud in the novel, both of which play an important role in the Kanun, from the perspective of Derrida’s concepts of unconditional hospitality and autoimmunity.","PeriodicalId":42313,"journal":{"name":"Law and Humanities","volume":"15 1","pages":"279 - 299"},"PeriodicalIF":0.3000,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Welcoming the enemy within?: hospitality, autoimmunity and the blood feud in Ismail Kadare’s Broken April\",\"authors\":\"Catherine Macmillan\",\"doi\":\"10.1080/17521483.2021.1995313\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT The protagonist of Kadare’s novel Broken April, set in the North Albanian Plateau, is required to kill his brother’s murderer according to the rules of the Kanun, a customary code of law according to which blood must be avenged, sometimes leading to generations of vendetta. In this context, the paper discusses the themes of hospitality and the blood feud in the novel, both of which play an important role in the Kanun, from the perspective of Derrida’s concepts of unconditional hospitality and autoimmunity.\",\"PeriodicalId\":42313,\"journal\":{\"name\":\"Law and Humanities\",\"volume\":\"15 1\",\"pages\":\"279 - 299\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Law and Humanities\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17521483.2021.1995313\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"LAW\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Law and Humanities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17521483.2021.1995313","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"LAW","Score":null,"Total":0}

引用次数: 0

摘要

摘要卡达雷的小说《破碎的四月》以北阿尔巴尼亚高原为背景，主人公必须根据卡农规则杀死杀害其兄弟的凶手。卡农是一种习惯法，根据该法，必须报血仇，有时会导致几代人的仇杀。在这种背景下，本文从德里达的无条件好客和自我豁免的概念出发，探讨了小说中的好客和血海深仇这两个主题，它们在《卡农》中都扮演着重要的角色。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Welcoming the enemy within?: hospitality, autoimmunity and the blood feud in Ismail Kadare’s Broken April

ABSTRACT The protagonist of Kadare’s novel Broken April, set in the North Albanian Plateau, is required to kill his brother’s murderer according to the rules of the Kanun, a customary code of law according to which blood must be avenged, sometimes leading to generations of vendetta. In this context, the paper discusses the themes of hospitality and the blood feud in the novel, both of which play an important role in the Kanun, from the perspective of Derrida’s concepts of unconditional hospitality and autoimmunity.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Law and Humanities LAW-

CiteScore

1.00

自引率

0.00%

发文量

期刊介绍： Law and Humanities is a peer-reviewed journal, providing a forum for scholarly discourse within the arts and humanities around the subject of law. For this purpose, the arts and humanities disciplines are taken to include literature, history (including history of art), philosophy, theology, classics and the whole spectrum of performance and representational arts. The remit of the journal does not extend to consideration of the laws that regulate practical aspects of the arts and humanities (such as the law of intellectual property). Law and Humanities is principally concerned to engage with those aspects of human experience which are not empirically quantifiable or scientifically predictable. Each issue will carry four or five major articles of between 8,000 and 12,000 words each. The journal will also carry shorter papers (up to 4,000 words) sharing good practice in law and humanities education; reports of conferences; reviews of books, exhibitions, plays, concerts and other artistic publications.