当代艺术的合法化过程:英国青年艺术家现象

IF 1.5 Q1 CULTURAL STUDIES
Pablo Navazo-Ostúa, Eva Aladro-Vico, Olga Bailey
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引用次数: 0

摘要

英国青年艺术家(YBAs)是20世纪末将媒体、广告和文化产业的元素融入艺术世界的一代人。基于对该团体的个案研究及其发展轨迹的不同阶段,我们分析了当代艺术合法化过程中所涉及的环境和代理人。作为一种工具,我们使用Alan Bowness在他的出版物中提出的模型,该模型概述了允许艺术家获得一定社会认可的过程。这一概述为我们提供了一个参考模型,在此基础上,我们可以重构YBAs的轨迹模式,从而确定围绕媒介现象的社会文化环境。这些结果也纠正和修改了Bowness模型的某些方面,使其适应当前维持艺术合法化进程的社会经济背景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Processes of legitimization in contemporary Art: the young British Artists phenomenon
ABSTRACT The Young British Artists (YBAs) was a generation that incorporated elements from media, advertising and cultural industry into the art world in the late 20th century. Based on a case study of the group and the distinctive phases of its meteoric trajectory, we analyse the circumstances and agents involved in the processes of legitimisation in contemporary art. As an instrumental tool, we use the model presented by Alan Bowness in his publication, which outlines the process that allows artists to access certain social recognition. This outline provides us with a model of reference upon which to reconstruct the pattern of the YBAs trajectory to determine the sociocultural circumstances surrounding the media phenomenon. These results also correct and modify certain aspects of Bowness’ model to adapt it to the current socioeconomic context that sustains the processes of legitimisation of art today.
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来源期刊
Journal for Cultural Research
Journal for Cultural Research CULTURAL STUDIES-
CiteScore
1.40
自引率
0.00%
发文量
23
期刊介绍: JouJournal for Cultural Research is an international journal, based in Lancaster University"s Institute for Cultural Research. It is interested in essays concerned with the conjuncture between culture and the many domains and practices in relation to which it is usually defined, including, for example, media, politics, technology, economics, society, art and the sacred. Culture is no longer, if it ever was, singular. It denotes a shifting multiplicity of signifying practices and value systems that provide a potentially infinite resource of academic critique, investigation and ethnographic or market research into cultural difference, cultural autonomy, cultural emancipation and the cultural aspects of power.
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