爱情与诗歌灵感

IF 0.2 N/A LITERARY THEORY & CRITICISM

Acta Poetica Pub Date : 2021-01-13 DOI:10.19130/iifl.ap.2021.1.0886

David Galicia Lechuga

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引用次数: 0

摘要

爱情的人格化塑造了自古以来爱情诗的意境。这篇文章关注的是这个人格化人物鲜为人知的一面，它将表明，以抒情自我为中心的诗歌创作过程是建立在自我与爱的深刻关系之上的，爱是激情和写作的灵感来源。我们将观察这一思想是如何从希腊诗学开始的，以及它是如何在三个文学时刻发展起来的：拉丁挽歌、中世纪抒情诗和佩特拉坎诗歌。

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Amor y la inspiración poética

Love’s personification has modeled the conception of love poetry since Antiquity. This article focuses on a little-known aspect of this personified figure. It will show that the process of poetic creation focused on the lyrical self is based on a profound relationship of the self with Love in its role as the inspiration of passion and writing. It will be observed how this idea begins with Greek poetics and how it was developed in three literary moments: the Latin elegy, Medieval lyric and Petrarchan poetry.

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来源期刊

Acta Poetica Multiple-

CiteScore

0.10

自引率

0.00%

发文量

审稿时长

12 weeks

期刊介绍： Acta Poética es una revista semestral, arbitrada y de acceso abierto (open-access), que publica artículos, notas, entrevistas y reseñas originales y traducidas, escritas principalmente en español y otras lenguas. Nuestra publicación pertenece al Centro de Poética del Instituto de Investigaciones Filológicas de la Universidad Nacional Autónoma de México. El propósito de Acta Poética es ofrecer una plataforma intelectual para los estudiosos de instituciones nacionales y extranjeras y, con ello, aportar reflexiones sustantivas al estudio de la literatura, la crítica literaria y la teoría crítica, sobre aspectos de la literatura y otras expresiones culturales. Nuestra revista está dirigida a estudiosos de la literatura y otras disciplinas relacionadas con arte, cultura y sociedad. El contenido de Acta Poética refleja la diversidad de las líneas de investigación del Centro de Poética, en el marco inter y multidisciplinario de la teoría crítica: mito, semántica, semiótica, deconstrucción, artes visuales, retórica, poética, teoría de la recepción, hermenéutica, crítica literaria, literatura comparada, estudios culturales, misticismo, filología, el impacto de las nuevas tecnologías en el discurso, historia de la literatura, cine, fotografía, arquitectura, artes escénicas, música y su relación con otras disciplinas como la filosofía, la historia, la sociología y la teoría política. Actualmente, la revista se publica en formato impreso y digital.