书评:《隐藏在平淡中:魔幻与电影考古》

IF 0.3 2区 艺术学 0 FILM, RADIO, TELEVISION
M. Cook
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引用次数: 0

摘要

Andrea Mariani是意大利乌迪内大学的讲师。他教授媒体理论和欧洲屏幕文化。他是乌迪内大学数字故事讲述实验室的项目负责人,并指导(Un)Dead Media项目。他编辑了第一本意大利媒体考古学著名国际学术论文集《媒体考古》(Meltemi,2018:利米纳奖2019最佳意大利语翻译)。他的文章发表在意大利和国际同行评审期刊上,如《电影史》、《Necsus》和《Bianco e Nero》。他是《Gli Anni del Cineguf:Il cinema spermentale italiano dai cine club al neorealismo》(2017)的作者。他研究媒体考古学、两次世界大战期间的业余电影、先锋派和现代主义文化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Book review: Hidden in Plain Sight: An Archaeology of Magic and Cinema
Andrea Mariani is a Lecturer at University of Udine, Italy. He teaches Media Theory and European Screen Cultures. He is Head of Projects of the Digital Storytelling Lab at the University of Udine and directs the (Un) Dead Media Project. He edited the first Italian collection of the prominent international scholarship on media archaeology ‘Archeologia dei media’ (Meltemi, 2018: Limina Award 2019 for the Best Italian Translation). His articles have been published in Italian and international peer-reviewed journals such as Film History, Necsus and Bianco e Nero. He is author of Gli Anni del Cineguf: Il cinema sperimentale italiano dai cine-club al neorealismo (2017). He deals with media archaeology, amateur cinema in the interwar period, avant-garde and modernist cultures.
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来源期刊
Animation-An Interdisciplinary Journal
Animation-An Interdisciplinary Journal FILM, RADIO, TELEVISION-
CiteScore
0.70
自引率
25.00%
发文量
19
期刊介绍: Especially since the digital shift, animation is increasingly pervasive and implemented in many ways in many disciplines. Animation: An Interdisciplinary Journal provides the first cohesive, international peer-reviewed publishing platform for animation that unites contributions from a wide range of research agendas and creative practice. The journal"s scope is very comprehensive, yet its focus is clear and simple. The journal addresses all animation made using all known (and yet to be developed) techniques - from 16th century optical devices to contemporary digital media - revealing its implications on other forms of time-based media expression past, present and future.
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