为儿童制作的重金属?在heavy ysaurus的重金属幽默中质问成人/儿童的划分

IF 0.5 Q3 CULTURAL STUDIES
Ruth Barratt-Peacock
{"title":"为儿童制作的重金属?在heavy ysaurus的重金属幽默中质问成人/儿童的划分","authors":"Ruth Barratt-Peacock","doi":"10.1386/mms_00082_1","DOIUrl":null,"url":null,"abstract":"Heavysaurus (a German act founded in 2017, from a concept that originated in Finland in 2009) is marketed as metal music made for children. As with most children’s media, Heavysaurus’s music utilizes a dual address, entertaining both parents and children, particularly through its comedic value. The following article examines the implications of combining metal aesthetics with children’s media, and the resulting music’s relationship to humour. Although humour in metal music has been brought into connection with the Bakhtinian carnival, this article argues that Heavysaurus’s use of the carnivalesque and other elements of heavy metal humour does not represent a Bakhtinian upheaval of power structures (by challenging dominant constructions of childhood for instance) but instead challenges and makes visible the constructed nature of adulthood itself.","PeriodicalId":36868,"journal":{"name":"Metal Music Studies","volume":" ","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Heavy metal made for children? Interrogating the adult/child divide in Heavysaurus’s heavy metal humour\",\"authors\":\"Ruth Barratt-Peacock\",\"doi\":\"10.1386/mms_00082_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Heavysaurus (a German act founded in 2017, from a concept that originated in Finland in 2009) is marketed as metal music made for children. As with most children’s media, Heavysaurus’s music utilizes a dual address, entertaining both parents and children, particularly through its comedic value. The following article examines the implications of combining metal aesthetics with children’s media, and the resulting music’s relationship to humour. Although humour in metal music has been brought into connection with the Bakhtinian carnival, this article argues that Heavysaurus’s use of the carnivalesque and other elements of heavy metal humour does not represent a Bakhtinian upheaval of power structures (by challenging dominant constructions of childhood for instance) but instead challenges and makes visible the constructed nature of adulthood itself.\",\"PeriodicalId\":36868,\"journal\":{\"name\":\"Metal Music Studies\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Metal Music Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/mms_00082_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Metal Music Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/mms_00082_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
引用次数: 0

摘要

Heavysaurus(一项成立于2017年的德国法案,源于2009年起源于芬兰的概念)是为儿童制作的金属音乐。与大多数儿童媒体一样,Heavysaurus的音乐使用了双重地址,娱乐父母和孩子,尤其是通过其喜剧价值。以下文章探讨了将金属美学与儿童媒体相结合的含义,以及由此产生的音乐与幽默的关系。尽管金属音乐中的幽默与巴赫金的狂欢节联系在一起,这篇文章认为,Heavysaurus对狂欢节和其他重金属幽默元素的使用并不代表巴赫金式的权力结构剧变(例如,通过挑战童年的主导结构),而是挑战并展示了成年本身的建构本质。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Heavy metal made for children? Interrogating the adult/child divide in Heavysaurus’s heavy metal humour
Heavysaurus (a German act founded in 2017, from a concept that originated in Finland in 2009) is marketed as metal music made for children. As with most children’s media, Heavysaurus’s music utilizes a dual address, entertaining both parents and children, particularly through its comedic value. The following article examines the implications of combining metal aesthetics with children’s media, and the resulting music’s relationship to humour. Although humour in metal music has been brought into connection with the Bakhtinian carnival, this article argues that Heavysaurus’s use of the carnivalesque and other elements of heavy metal humour does not represent a Bakhtinian upheaval of power structures (by challenging dominant constructions of childhood for instance) but instead challenges and makes visible the constructed nature of adulthood itself.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Metal Music Studies
Metal Music Studies Arts and Humanities-Music
CiteScore
1.20
自引率
0.00%
发文量
19
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信