Eco-caste Migrants in Kerala: A Posthumanist Reading of Veyilmarangal

With hundreds of people losing their houses and properties, climate change and its related disasters have changed the face of humanity. This has had a considerable impact on popular visual media such as film as well. From the conventional romanticized portrayal of nature in Malayalam films, a few contemporary Malayalam films have sensitized the ecological issues and the predicaments of its victims. This marks the shift from the idealized portrayal of landscape to the depiction of the fury of nature on human beings. Taking cues from a Posthumanist theoretical perspective, this article considers the Malayalam film Veyilmarangal (2020) directed by Dr. Biju Damodaran to analyse how caste divisions in the society surface during the climate catastrophe. To analyse the nuances of climate change and its posthuman turn, this article takes its insights from the domains of environmental casteism and climate displacement to explain what is used as ‘eco-caste migrants’ in this article. The term signifies the role of caste hierarchy among human and non-human entities during the ecological crisis, especially focusing on the experiences of the Dalits and other caste subalterns. The article also attempts to find parallels between the non-human group and sub-human group hierarchies in society and, thereby, analyse the intersectional casteism from the vantage point of Kerala society through the representation of eco-caste migrants in the film.