{"title":"亚洲3D电影：区域技术创新","authors":"Olivia Khoo","doi":"10.3366/edinburgh/9781474461764.003.0007","DOIUrl":null,"url":null,"abstract":"This chapter explores burgeoning technical developments in 3D filmmaking in Asia as practitioners aim to situate themselves as part of a regional hub for stereoscopic pre- and post-production and innovation. It takes as its case study the Singapore-Australia co-production Bait 3D (Kimble Rendall, 2012).","PeriodicalId":41198,"journal":{"name":"Asian Cinema","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2021-02-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Asian Cinema in 3D: Regional Technical Innovation\",\"authors\":\"Olivia Khoo\",\"doi\":\"10.3366/edinburgh/9781474461764.003.0007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter explores burgeoning technical developments in 3D filmmaking in Asia as practitioners aim to situate themselves as part of a regional hub for stereoscopic pre- and post-production and innovation. It takes as its case study the Singapore-Australia co-production Bait 3D (Kimble Rendall, 2012).\",\"PeriodicalId\":41198,\"journal\":{\"name\":\"Asian Cinema\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-02-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Asian Cinema\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474461764.003.0007\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Asian Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474461764.003.0007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
This chapter explores burgeoning technical developments in 3D filmmaking in Asia as practitioners aim to situate themselves as part of a regional hub for stereoscopic pre- and post-production and innovation. It takes as its case study the Singapore-Australia co-production Bait 3D (Kimble Rendall, 2012).
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