战士与诗人

Q1 Arts and Humanities
Nicholas Binford
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引用次数: 0

摘要

艺术家、学者和大众媒体经常将詹姆斯·鲍德温描述为革命者,无论是因为他的书面作品还是因为他在民权运动中的作用。但革命意味着什么?本文认为,轻率地称詹姆斯·鲍德温为革命者,掩盖和抹去了他在对民权运动和整个种族关系的贡献中所采用的非革命战略和方法。经常使用革命性作为“伟大”或“重要”的同义词,会产生一种联想,认为所有美好的事物都必须是革命性的,任何非革命性的东西都是不够的,从而有效地将整个社会和政治参与从视野中抹去。鲍德温与我们当代时代的相关性越来越大,这表明他的非革命策略与马尔科姆·X或马丁·路德·金等民权领袖所采用的革命方法一样重要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Warrior and the Poet
Artists, scholars, and popular media often describe James Baldwin as revolutionary, either for his written work or for his role in the civil rights movement. But what does it mean to be revolutionary? This article contends that thoughtlessly calling James Baldwin revolutionary obscures and erases the non-revolutionary strategies and approaches he employed in his contributions to the civil rights movement and to race relations as a whole. Frequent use of revolutionary as a synonym for “great” or “important” creates an association suggesting that all good things must be revolutionary, and that anything not revolutionary is insufficient, effectively erasing an entire spectrum of social and political engagement from view. Baldwin’s increasing relevance to our contemporary moment suggests that his non-revolutionary tactics are just as important as the revolutionary approaches employed by civil rights leaders such as Malcolm X or Martin Luther King, Jr.
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来源期刊
James Baldwin Review
James Baldwin Review Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
13
审稿时长
16 weeks
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