时间顺序阅读障碍:记忆/表现/表演辅助

IF 0.2 2区艺术学 0 ART

ARTMargins Pub Date : 2023-02-01 DOI:10.1162/artm_r_00339

Amelia Jones

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引用次数: 0

摘要

本文探讨了两本关于美国及其他国家正在进行的和历史上的艾滋病危机的视觉和表演历史的主要书籍——布莱恩·盖尼克编辑的《最终传播》和阿夫拉姆·芬克尔斯坦的第一手资料《沉默之后》——这篇评论询问了我们是如何思考和理解艾滋病灾难的强度、损失和缺失的。这篇书评借鉴了关于死亡、临终以及与之相关的文化表达的理论，对这两本截然不同的书的特定内容施加了压力，最终在每本书中都抽出了脆弱和自我反思的激情时刻，作为对艾滋病等全球危机最有效、最有力的反思。

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Chronological Dyslexia: Remembering/Representing/Performing Aids

Abstract Exploring two major books on the visual and performance histories of the ongoing and historical AIDS crisis in the US and beyond—Brian Getnick's edited volume Final Transmission and Avram Finkelstein's firsthand account, After Silence—this review asks how we have come to contemplate and understand the intensities, losses, and absences of the AIDS catastrophe. Drawing on theories on death, dying, and the cultural expressions around them, the review puts pressure on the particular offerings of these two very different books, ultimately pulling out passionate moments of vulnerability and self-reflexivity in each book as the most effective and powerful ruminations on global crises such as the AIDS pandemic.

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来源期刊

ARTMargins ART-

CiteScore

0.10

自引率

0.00%

发文量

期刊介绍： ARTMargins publishes scholarly articles and essays about contemporary art, media, architecture, and critical theory. ARTMargins studies art practices and visual culture in the emerging global margins, from North Africa and the Middle East to the Americas, Eastern and Western Europe, Asia and Australasia. The journal acts as a forum for scholars, theoreticians, and critics from a variety of disciplines who are interested in art and politics in transitional countries and regions; postsocialism and neo-liberalism; postmodernism and postcolonialism, and their critiques; and the problem of global art and global art history and its methodologies.