关于摩拉维亚钢琴制造商j.c. Malthaner的更多信息

IF 0.2 0 RELIGION
Laurence Libin
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引用次数: 0

摘要

约翰·克里斯蒂安·马萨纳(John Christian Malthaner, 1810-73)是宾夕法尼亚州伯利恒的一位德国移民钢琴制造商,在他所在的社区中占有重要地位,但他的生活和事业此前没有被详细研究过。本文以档案资料、图像证据和对现存乐器的考察为基础,揭示了马萨纳家族几代人的历史,并将马萨纳的作品置于伯利恒发展中的经济和社会结构以及美国钢琴技术和商业的背景下。这篇文章讨论了他的生意的兴衰与其他当代乐器生产的关系,以及影响他家庭的事件,包括他在1841年加入摩拉维亚教会,伯利恒作为一个自由的自治市镇,内战,1873年的恐慌,以及他的儿子和孙子的竞争利益。伯利恒的女子神学院成为了马萨纳钢琴制造商和技师双重职业的中心,但最终,尽管得到了路易斯·莫罗·戈特沙尔克、弗朗西斯·沃尔等人的支持,他的小手工作坊被证明无法与更大、更有声望、更有创新精神的城市工厂竞争。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
More Light on J. C. Malthaner, Moravian Piano Manufacturer
John Christian Malthaner (1810–73), a German immigrant piano manufacturer in Bethlehem, Pennsylvania, occupied an important position in his community, but his life and career have not previously been studied in detail. This article, based on archival sources, iconographic evidence, and examination of extant instruments, sheds light on the Malthaner family over several generations and considers Malthaner's work in the context of Bethlehem's developing economy and social structure, and of American piano technology and commerce. The article discusses the rise and demise of his business in relation to other contemporary musical instrument production and to events impacting his family, including his joining the Moravian Church in 1841, Bethlehem's incorporation as a free borough, the Civil War, the Panic of 1873, and his sons' and grandsons' competing interests. Bethlehem's Female Seminary emerges as central to Malthaner's dual occupation as piano manufacturer and technician, but in the end, despite endorsement by Louis Moreau Gottschalk, Francis Wolle, and others, his small artisanal workshop proved unable to compete with larger, more prestigious, more innovative urban factories.
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