声音与音乐:科学与艺术的相遇

IF 0.3 4区 文学 0 LITERATURE
C. Devroop, M. Titlestad
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引用次数: 1

摘要

科学和艺术这两个对立面,一直有着密切的关系。最近,这种关系在声音化(sonification)中得到了体现。声音化是一门科学分支,旨在为数据添加声音,使数据具有音乐般的可理解性。科学家认为,我们的听觉能力是一个潜在的丰富的数据来源,可以帮助我们解决问题。2020年,利用其刺突蛋白数据生成了冠状病毒的声波实现。这次超声试图从听觉上探测冠状病毒。然而,这个声音科学探测器的创造者现在声称他们的实验也是一个音乐作品。我们对这种说法进行审查。并非所有的声音都是音乐,这一信念是本文的基础。音乐只能代表它本身,因为我们对音乐的理解总是通过寓言。因此,有人认为,在COVID-19的紧张社会政治背景下,比勒的努力是错误的和微不足道的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sonification and Music: Science meets Art
The opposites, science and the arts, have always enjoyed a relationship. Recently, this relationship has been expressed in sonification, a branch of science seeking to add sound to data, giving data music-like intelligibility. Scientists believe that our aural capabilities are a potentially rich source of data that could assist in problem solving. In 2020, a sonic realization of the coronavirus was generated using its spike protein data. This sonification endeavoured to probe the coronavirus aurally. However, the creators of this sonified scientific probe are now claiming that their experiment is also a music composition. We examine this claim. This paper is underpinned by the conviction that not all sound is music. Music cannot represent anything other than itself because our understanding of music is always via allegory. Therefore, the efforts of Buehler, it is argued, are misdirected and trivial when placed in the stressed socio-political context of COVID-19.
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
26
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