居勒尼S181墓及其多立克假潜行风格

Q1 Arts and Humanities
Libyan Studies Pub Date : 2022-07-05 DOI:10.1017/lis.2022.5
Luca Cherstich
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引用次数: 0

摘要

S181墓位于南墓地的最西端,是一座重要的岩石雕刻纪念碑,不同于昔兰尼迄今为止已知的任何其他纪念碑。在昔勒尼人的丧葬文化背景下,环绕墓室的多立克假柱廊的存在是独一无二的,因为它似乎以一种新的、以前未发表的解决方案,精心设计和修改了内部多立克弗里兹(在附近西部墓地的著名坟墓中看到)的模型。S181号墓进一步揭示了与亚历山大殡葬界的复杂关系。本文从多个不同的角度描述了这座坟墓,并对其进行了思考:一方面,我们寻求传统的艺术史比较,以阐明其年代,另一方面,我们也分析了其展示策略,以重建这座纪念碑对昔勒尼人纪念性丧葬传统的重要性。古墓S181无疑是一个混合实体,是当地文化的产物,在建筑方面接受了亚历山大文化的影响,也可能是丧葬仪式的影响。S181号墓清楚地证明了昔兰尼在希腊化时期岩石切割丧葬建筑的活力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Tomb S181 in Cyrene and its Doric false peristyle
Abstract Situated on the westernmost corner of the Southern Necropolis, Tomb S181 is an important rock-cut monument, unlike any other thus far known in Cyrene. The presence of a Doric false peristyle running all around the chamber is unique in the context of the Cyrenean funerary culture, as it seems to elaborate and modify the model of the Internal Doric Frieze (seen in famous tombs of the near-by Western Necropolis) in a new, previously unpublished solution. Tomb S181 casts further light on the complicated relationship with the Alexandrian funerary world. This paper describes the tomb and considers it from multiple and different points of view: traditional art-historical comparisons are sought in order to cast light on the chronology but, on the other hand, the display strategies are also analyzed to reconstruct the importance of this monument for the Cyrenean monumental funerary tradition. Tomb S181 is certainly a hybrid entity, the product of a local culture accepting but also deeply modifying Alexandrian influences in terms of architecture and, possibly, also of funerary ritual behaviours. Tomb S181 clearly attests the vitality of rock-cut funerary architecture in Cyrene during the Hellenistic period.
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来源期刊
Libyan Studies
Libyan Studies Arts and Humanities-History
CiteScore
0.80
自引率
0.00%
发文量
18
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