论斯托克豪森的独奏：超越解读

IF 0.2 4区艺术学 Q2 Arts and Humanities

LEONARDO MUSIC JOURNAL Pub Date : 2018-12-01 DOI:10.1162/lmj_a_01036

Juan Parra Cancino, J. Mulder

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引用次数: 1

摘要

摘要以Karlheinz Stockhausen的《旋律乐器与rückkopplung独奏曲》（1965–1966）为起点，研究了在用现场电子设备再现历史曲目时技术转移的影响和效果。技术透明度的建议通常伴随着数字声音技术；我们的目标是挑战这一观念。我们认为，数字媒体中出现的色彩可以（也许应该）被用来为正在保存的作品注入新的生命，并提出新的问题。

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On Stockhausen’s Solo(s): Beyond Interpretation

Abstract Using Karlheinz Stockhausen’s Solo für Melodieinstrument und Rückkopplung (1965–1966) as a starting point, the authors investigate the affect and effect of technological transference when reproducing historical repertoire with live electronics. A suggestion of technical transparency often accompanies digital sound technologies; we aim to challenge this notion. We argue that the coloring that emerges with digital media can (and perhaps should be) used to inject new life into, and ask new questions of, the works that are being preserved.

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来源期刊

LEONARDO MUSIC JOURNAL MUSIC-

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期刊介绍： Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.