眺望巨石

IF 0.3 2区艺术学 0 THEATER

CONTEMPORARY THEATRE REVIEW Pub Date : 2022-10-02 DOI:10.1080/10486801.2022.2118729

Geddy Aniksdal

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引用次数: 0

摘要

Geddy Aniksdal自20世纪80年代初以来一直是挪威格兰弗里特公司的核心成员。她是一名演员、导演和作家，每年举办Stedsans(地点感)节，并与其他公司成员一起举办Porsgrunn国际戏剧节。她也是Magdalena项目的创始成员之一。在这篇沉思的文章中，Aniksdal诗意地反思了新冠肺炎引发的戏剧和节日的关闭对她作为一名艺术家和策展人的意义，她的日常工作通常包括在国际节日巡回演出、演出和在挪威举办自己的节日。

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Looking onto the Boulder

Abstract Geddy Aniksdal has been a core member of Grenland Friteater, Norway, since the early 1980s. She is an actress, director, and writer and runs the annual Stedsans (Sense of Place) Festival and, along with other company members, the Porsgrunn International Theater Festival. She is also a founder member of the Magdalena Project. In this contemplative essay, Aniksdal reflects poetically on what COVID-induced theatre and festival closure has meant for her as an artist and curator, whose everyday practice normally involves working on the international festival circuit, making performances, and running her own festival in Norway.

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来源期刊

CONTEMPORARY THEATRE REVIEW THEATER-

CiteScore

0.50

自引率

0.00%

发文量

期刊介绍： Contemporary Theatre Review (CTR) analyses what is most passionate and vital in theatre today. It encompasses a wide variety of theatres, from new playwrights and devisors to theatres of movement, image and other forms of physical expression, from new acting methods to music theatre and multi-media production work. Recognising the plurality of contemporary performance practices, it encourages contributions on physical theatre, opera, dance, design and the increasingly blurred boundaries between the physical and the visual arts.