全球英国的帝国哥特式:BBC的禁忌(2017年至今)

IF 0.2 N/A HUMANITIES, MULTIDISCIPLINARY
Aris Mousoutzanis
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引用次数: 1

摘要

本文讨论了英国广播公司的电视剧《禁忌》(2017年至今)作为帝国哥特式的当代例子,并将该剧置于英国文化中当前“帝国怀旧”趋势的背景下。它仔细阅读了该系列对哥特式特征的使用,如对病态心理的探索,鬼魂作为过去创伤隐喻的功能,对哥特式效果的使用,以及对身体恐怖的唤起。通过对照这一一般传统阅读这一当代叙事,本文强调了哥特人反思帝国话语的历史转变和当代表现的能力。讨论认为,该系列试图通过将《帝国》描绘成怪物和恐怖的代理人来批判《帝国》,但最终再现了殖民地另类的刻板印象,而这些刻板印象是帝国主义意识形态的基础。从这个意义上说,《禁忌》是一部与早期帝国哥特式文本一样矛盾的文本。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Imperial Gothic for Global Britain: BBC's Taboo (2017–present)
This article discusses the BBC drama Taboo (2017–present) as a contemporary example of imperial Gothic and places the series in the context of a current trend of ‘imperial nostalgia’ in British culture. It provides a close reading of the series with regard to its use of gothic traits like the exploration of morbid psychology, the function of the ghost as a metaphor for past trauma, the use of locale for gothic effect, and the evocation of body horror. By reading this contemporary narrative against this generic tradition, the paper highlights the ability of the Gothic to reflect on historical transformations and contemporary manifestations of discourses of Empire. The series, the discussion argues, seeks to critique Empire by portraying it as the agent of monstrosity and horror but eventually reproduces stereotypes of colonial otherness that were fundamental to imperialist ideologies. In this sense, Taboo is a text just as ambivalent as earlier imperial Gothic texts.
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来源期刊
Gothic Studies
Gothic Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
自引率
0.00%
发文量
22
期刊介绍: The official journal of the International Gothic Association considers the field of Gothic studies from the eighteenth century to the present day. Gothic Studies opens a forum for dialogue and cultural criticism, and provides a specialist journal for scholars working in a field which is today taught or researched in academic institutions around the globe. The journal invites contributions from scholars working within any period of the Gothic; interdisciplinary scholarship is especially welcome, as are studies of works across the range of media, beyond the written word.
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