{"title":"当代意大利漫画的另类出版:Canicola, mamaiuto和stima1的案例研究","authors":"Lisa Maya Quaianni Manuzzato","doi":"10.1386/stic_00065_1","DOIUrl":null,"url":null,"abstract":"This article will analyse some noteworthy Italian specialty comic publishers that are combining artistic independence with a ‘new approach’ in production. After an examination of self-publishing, alternative and independent comic publishing and its greatest challenges, the focus will be on three entities that accompanied us through two decades of comics in Italy: the publishing Canicola Edizioni, established in 2004, the self-publishing collective Associazione Mammaiuto, formed in 2011, and the editorial line Progetto Stigma, founded in 2017. We will focus on their different production approaches – use of pre-order, crowdfunding, pre-publication in webcomics, cooperation with other publishing for the distribution, cultural projects around their books – by which they are building their own identity and communities of readers.","PeriodicalId":41167,"journal":{"name":"Studies in Comics","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Alternative publishing in contemporary Italian comics: The case studies of Canicola, Mammaiuto and Stigma1\",\"authors\":\"Lisa Maya Quaianni Manuzzato\",\"doi\":\"10.1386/stic_00065_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article will analyse some noteworthy Italian specialty comic publishers that are combining artistic independence with a ‘new approach’ in production. After an examination of self-publishing, alternative and independent comic publishing and its greatest challenges, the focus will be on three entities that accompanied us through two decades of comics in Italy: the publishing Canicola Edizioni, established in 2004, the self-publishing collective Associazione Mammaiuto, formed in 2011, and the editorial line Progetto Stigma, founded in 2017. We will focus on their different production approaches – use of pre-order, crowdfunding, pre-publication in webcomics, cooperation with other publishing for the distribution, cultural projects around their books – by which they are building their own identity and communities of readers.\",\"PeriodicalId\":41167,\"journal\":{\"name\":\"Studies in Comics\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in Comics\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/stic_00065_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Comics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/stic_00065_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Alternative publishing in contemporary Italian comics: The case studies of Canicola, Mammaiuto and Stigma1
This article will analyse some noteworthy Italian specialty comic publishers that are combining artistic independence with a ‘new approach’ in production. After an examination of self-publishing, alternative and independent comic publishing and its greatest challenges, the focus will be on three entities that accompanied us through two decades of comics in Italy: the publishing Canicola Edizioni, established in 2004, the self-publishing collective Associazione Mammaiuto, formed in 2011, and the editorial line Progetto Stigma, founded in 2017. We will focus on their different production approaches – use of pre-order, crowdfunding, pre-publication in webcomics, cooperation with other publishing for the distribution, cultural projects around their books – by which they are building their own identity and communities of readers.