过了不归路的地步:约翰·哈里森的《凯法胡奇三部曲》中的威慑与危险

IF 0.2 4区 文学 0 LITERATURE
Guangzhao Lyu
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引用次数: 0

摘要

文摘:M。自20世纪60年代中期以来,约翰·哈里森经常被认为是英国最被商业低估的科幻小说和幻想作家之一。本文旨在关注哈里森在科幻小说中未被认可的贡献,同时关注他的后期作品——《克法胡奇三部曲》(2002-2012)。借鉴吉尔·德勒兹(Gilles Deleuze)和fsamlix Guattari的观点,我认为哈里森的三部曲提供了一条逃离自我与他人、一与多、主体与客体二元对立的路线,引导我们走向最终的去领土化,并将我们从资本主义现实主义的竞争本质中解放出来。这个过程当然不仅仅是为了自身的利益而庆祝去领土化,而是拒绝让现实的复杂性被简化为资本主义现实主义经济规范的仅仅反映。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Past the Point of No Return: Deterritorialization and Haecceities in M. John Harrison's Kefahuchi Tract Trilogy
ABSTRACT:M. John Harrison is often considered one of the most commercially underestimated writers of science fiction and fantasy in the UK since the mid-1960s. This article aims to focus on Harrison's under-recognized contributions to science fiction while focusing on his later work—the Kefahuchi Tract trilogy (2002-2012). Drawing upon Gilles Deleuze and Félix Guattari, I will argue that Harrison's trilogy provides a line of flight escaping the binary dichotomies between self and other, one and multiple, and subject and object, guiding us toward our eventual deterritorialization and liberating us from the competitive nature of capitalist realism. This process is certainly not just a celebration of deterritorialization for its own sake, but rather a refusal to allow the complexity of reality to be reduced to a mere reflection of the economic norms of capitalist realism.
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CiteScore
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