印度殖民时期和当代白人家庭的护理工作:保姆种族浪漫化的历史人类学

IF 0.5 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY
Satyasikha Chakraborty, Shalini Grover
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引用次数: 0

摘要

本文通过18世纪末至21世纪印度白人家庭佣人的形象来考察跨种族的性别照顾工作。关于印度家务劳动的历史和人类学奖学金仍然是一个独立的领域,主要集中在印度中产阶级家庭。我们的比较研究通过一种跨时间的方法,将档案工作(过去的英国皇室家庭)与民族志研究(现在的欧美移民家庭)结合起来,为ayah的种族化浪漫化提供了见解。在探索殖民时期和当代国内动态的相似之处,以及种族间焦虑和多愁善感的相互交织的同时,我们密切关注印度女侍的主体性及其不断变化的劳动角色。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Care-work for colonial and contemporary white families in India: A historical-anthropology of the racialized romanticization of the ayah
This article examines interracial gendered care-work through the figure of the ayah (maid) serving white families in India from the late-eighteenth to the twenty-first century. Historical and anthropological scholarships on domestic labor in India remain self-contained fields, and mostly focus on middle-class Indian households. Our comparative study offers insights into the racialized romanticization of the ayah through a trans-temporal approach combining archival work (for British imperial households in the past) with ethnographic research (for Euro-American expatriate households in the present). While exploring the parallels in colonial and contemporary domestic dynamics, and the intertwining of interracial anxieties and sentimentalization, we pay close attention to the subjectivities of Indian ayahs and their changing labor roles.
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来源期刊
CULTURAL DYNAMICS
CULTURAL DYNAMICS SOCIAL SCIENCES, INTERDISCIPLINARY-
CiteScore
0.90
自引率
0.00%
发文量
20
期刊介绍: Our Editorial Collective seeks to publish research - and occasionally other materials such as interviews, documents, literary creations - focused on the structured inequalities of the contemporary world, and the myriad ways people negotiate these conditions. Our approach is adamantly plural, following the basic "intersectional" insight pioneered by third world feminists, whereby multiple axes of inequalities are irreducible to one another and mutually constitutive. Our interest in how people live, work and struggle is broad and inclusive: from the individual to the collective, from the militant and overtly political, to the poetic and quixotic.
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