为手绘魔灯玻璃滑梯制定首个预防性保护指南

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY
Ângela Santos, Beatriz Rodrigues, V. Otero, M. Vilarigues
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引用次数: 1

摘要

这篇文章旨在定义和提供预防保护的指导方针,用于魔术灯笼的手绘玻璃玻片,第一个用于投影图像的光学仪器,发明于17世纪。为此,我们研究了来自葡萄牙电影博物馆(CP)和里斯本大学国家自然历史与科学博物馆(MUHNAC)的约300个手绘玻璃幻灯片,研究了这些藏品的代表性、论述类型、结构类型或运动机制、保存状态和退化问题。设计并向全球各机构分发了一项调查,目的是概述魔灯幻灯片收藏的形式特征以及所采取的预防性和干预性保护措施。该指南侧重于环境条件(温度,相对湿度和光线),细颗粒和害虫控制,存储和展示条件和材料,以及处理。还提供了关于表演预测或示范的建议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Defining the first preventive conservation guidelines for hand-painted magic lantern glass slides
This article intends to define and make available guidelines for the preventive conservation of hand-painted glass slides for magic lanterns, the first optical instruments for the projection of images, invented in the 17th century. For this purpose, around 300 hand-painted glass slides from the Portuguese Cinematheque – Museum of Cinema (CP) and Nacional Museum of Natural History and Science of the University of Lisbon (MUHNAC), were studied in terms of representativity in these collections, discursive genre, type of construction or movement mechanism, state of preservation and degradation problems. A survey was designed and distributed to institutions across the globe aiming for an overview of the formal characteristics of the collections of magic lantern slides and the preventive and interventive conservation measures undertaken. The guidelines are focused on the environmental conditions (temperature, relative humidity, and light), fine particles and pest control, storage and display conditions and materials, as well as handling. Recommendations on performative projections or demonstrations are also provided.
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来源期刊
Conservar Patrimonio
Conservar Patrimonio HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.80
自引率
0.00%
发文量
5
审稿时长
12 weeks
期刊介绍: Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.
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