{"title":"借贷，居住，欠债","authors":"Jens Bjering","doi":"10.1080/17406315.2017.1319598","DOIUrl":null,"url":null,"abstract":"Abstract Taking the movie The Company Men (John Wells, 2010) as its starting point, the article attempts to think the condition of indebtedness in its connection with living in and with a home. Through readings of Martin Heidegger’s “Building Dwelling Thinking,” the article claims that the predicament of the indebted person and his or her house can be described as linked to a shift in the way we view houses, from “places of dwelling” to “standing-reserves.”","PeriodicalId":44765,"journal":{"name":"Home Cultures","volume":"14 1","pages":"111 - 95"},"PeriodicalIF":0.5000,"publicationDate":"2017-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17406315.2017.1319598","citationCount":"2","resultStr":"{\"title\":\"Borrowing, Dwelling, Owing\",\"authors\":\"Jens Bjering\",\"doi\":\"10.1080/17406315.2017.1319598\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Taking the movie The Company Men (John Wells, 2010) as its starting point, the article attempts to think the condition of indebtedness in its connection with living in and with a home. Through readings of Martin Heidegger’s “Building Dwelling Thinking,” the article claims that the predicament of the indebted person and his or her house can be described as linked to a shift in the way we view houses, from “places of dwelling” to “standing-reserves.”\",\"PeriodicalId\":44765,\"journal\":{\"name\":\"Home Cultures\",\"volume\":\"14 1\",\"pages\":\"111 - 95\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2017-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/17406315.2017.1319598\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Home Cultures\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17406315.2017.1319598\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHITECTURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Home Cultures","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17406315.2017.1319598","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
Abstract Taking the movie The Company Men (John Wells, 2010) as its starting point, the article attempts to think the condition of indebtedness in its connection with living in and with a home. Through readings of Martin Heidegger’s “Building Dwelling Thinking,” the article claims that the predicament of the indebted person and his or her house can be described as linked to a shift in the way we view houses, from “places of dwelling” to “standing-reserves.”
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