屏幕之旅：迪亚吉列夫芭蕾舞《俄罗斯》的电影共鸣

IF 0.2 3区艺术学 N/A MUSIC

AMERICAN MUSIC Pub Date : 2021-12-01 DOI:10.5406/19452349.39.4.04

M. Simonson

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引用次数: 1

摘要

1916年12月，谢尔盖·佳吉列夫(Sergei Diaghilev)的俄罗斯芭蕾舞团穿越美国，在洛杉矶进行西海岸首演时，大都会音乐局(Metropolitan Musical Bureau)试图通过出版第一期(也是唯一一期)《佳吉列夫俄罗斯芭蕾舞团信使》(Diaghilef Ballet Russe Courier)来获得更多的宣传和保持兴奋。在头版的正中间，标题为“拍摄芭蕾太贵了”的地方，有一封来自美国电影导演兼制片人托马斯·h·因斯的信，据说是为了回应经纪人兼公关罗伯特·格劳(Robert Grau)建议因斯邀请芭蕾舞团拍摄一部电影的建议:

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Touring the Screen: Cinematic Resonances of Diaghilev's Ballets Russes

In December 1916, as Sergei Diaghilev’s Ballets Russes company was crossing the United States to make its West Coast premiere in Los Angeles, the Metropolitan Musical Bureau attempted to generate additional publicity and sustain excitement by publishing the first (and only) issue of the Diaghilef Ballet Russe Courier. Squarely in the center of the front page, under the headline “Ballet Too Expensive for Filming,” was a letter from American film director and producer Thomas H. Ince, purportedly responding to impresario and publicist Robert Grau’s recommendation that Ince invite the ballet troupe to make a film:

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来源期刊

AMERICAN MUSIC MUSIC-

CiteScore

0.30

自引率

50.00%

发文量

期刊介绍： Now in its 28th year, American Music publishes articles on American composers, performers, publishers, institutions, events, and the music industry, as well as book and recording reviews, bibliographies, and discographies.