Powwow Regalia在身份性能和身份验证中的应用

Q3 Arts and Humanities
Zsuzsanna Cselényi
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引用次数: 0

摘要

通过对powwows参与和舞蹈动机的个人叙述,本文探讨了在美国中西部的powwow斯,通过舞蹈服饰形成、调整、协商和表达地区和个人身份的方式。舞者们把衣服作为他们原住民身份的明确标志,把powwows作为他们真实性意识形态的正当背景。Powwow的参与也被用来巩固、回收、创造、复兴和创造一种身份,以证明自己在Powwow社区中的地位,在这个社区中,内部和外部角色和规则相互加强。该研究为中西部powwows的不同选民发声,从原住民到非原住民爱好者,探讨了影响这种认证的基础和策略的因素,以及表达这些意识形态的修辞方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Powwow Regalia in Identity Performance and Authentication
Through personal narratives of powwow involvement and motivation for dancing, this essay examines the ways in which regional and personal identities are being formed, adjusted, negotiated, and expressed through dance regalia at powwows in the Midwestern United States. Dancers use clothes as an explicit marker of their Native identity and powwows as a justifying context for their ideologies of authenticity. Powwow involvement is also used to consolidate, reclaim, craft, revive, and create an identity that authenticates one's place in the powwow community in which internal and external roles and rules reinforce each other. Giving voice to different constituents at Midwestern powwows, from Natives to non-Native enthusiasts, the study explores the factors that influence the bases and strategies of such authentication, as well as the rhetoric by which these ideologies are expressed.
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来源期刊
Acta Ethnographica Hungarica
Acta Ethnographica Hungarica Arts and Humanities-Music
CiteScore
0.60
自引率
0.00%
发文量
37
期刊介绍: This journal publishes contributions describing recent scientific advances in the field of ethnography, folklore, and cultural and social anthropology. Emphasis is laid on subjects related to Hungarian ethnography and folklore as well as on works presenting Hungarian folklore in the context of Eastern European and Eurasian cultures. Publishes book reviews and advertisements.
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