{"title":"揭开玛丽·马查档案的面纱","authors":"Suzanne Spunner","doi":"10.1080/01576895.2018.1560339","DOIUrl":null,"url":null,"abstract":"ABSTRACT Perth-based art dealer Mary Macha was engaged with Indigenous art for almost fifty years. She played a critical role in the development of Aboriginal art in Western Australia firstly in the government sector and subsequently as a private dealer. Her clients included Alistair McAlpine (Lord McAlpine) and Robert Holmes a Court. She was the key player in the development of what became known as the East Kimberley School of art and formed a close relationship with the key artists, Paddy Jamanji and Rover Thomas. After her death in 2017, her archive was sorted and collated by her executors with assistance from the University of Melbourne and vested with the Battye Library in Perth.","PeriodicalId":43371,"journal":{"name":"Archives and Manuscripts","volume":null,"pages":null},"PeriodicalIF":1.3000,"publicationDate":"2019-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/01576895.2018.1560339","citationCount":"0","resultStr":"{\"title\":\"Unveiling the Mary Macha Archives\",\"authors\":\"Suzanne Spunner\",\"doi\":\"10.1080/01576895.2018.1560339\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Perth-based art dealer Mary Macha was engaged with Indigenous art for almost fifty years. She played a critical role in the development of Aboriginal art in Western Australia firstly in the government sector and subsequently as a private dealer. Her clients included Alistair McAlpine (Lord McAlpine) and Robert Holmes a Court. She was the key player in the development of what became known as the East Kimberley School of art and formed a close relationship with the key artists, Paddy Jamanji and Rover Thomas. After her death in 2017, her archive was sorted and collated by her executors with assistance from the University of Melbourne and vested with the Battye Library in Perth.\",\"PeriodicalId\":43371,\"journal\":{\"name\":\"Archives and Manuscripts\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.3000,\"publicationDate\":\"2019-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/01576895.2018.1560339\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Archives and Manuscripts\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/01576895.2018.1560339\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"INFORMATION SCIENCE & LIBRARY SCIENCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Archives and Manuscripts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01576895.2018.1560339","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"INFORMATION SCIENCE & LIBRARY SCIENCE","Score":null,"Total":0}
引用次数: 0
摘要
来自珀斯的艺术品经销商Mary Macha从事土著艺术近50年。她在西澳大利亚原住民艺术的发展中发挥了至关重要的作用，先是在政府部门，后来作为私人经销商。她的客户包括Alistair McAlpine (Lord McAlpine)和Robert Holmes a Court。她是后来被称为东金伯利艺术学院发展的关键人物，并与主要艺术家Paddy Jamanji和Rover Thomas建立了密切的关系。她于2017年去世后，在墨尔本大学的帮助下，她的遗嘱遗嘱人对她的档案进行了分类和整理，并归属于珀斯的巴特耶图书馆。
ABSTRACT Perth-based art dealer Mary Macha was engaged with Indigenous art for almost fifty years. She played a critical role in the development of Aboriginal art in Western Australia firstly in the government sector and subsequently as a private dealer. Her clients included Alistair McAlpine (Lord McAlpine) and Robert Holmes a Court. She was the key player in the development of what became known as the East Kimberley School of art and formed a close relationship with the key artists, Paddy Jamanji and Rover Thomas. After her death in 2017, her archive was sorted and collated by her executors with assistance from the University of Melbourne and vested with the Battye Library in Perth.
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