威廉·布莱克与公民与好客的精神形式

C. Trodd
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引用次数: 0

摘要

本文的第一部分着重于关于威廉·布莱克在1910年至1930年期间的批评性恢复的先前未被研究的材料。书中指出,当评论家们试图将布莱克的兴趣和关注点现代化时,他们是如何利用公民身份和热情好客的概念的。它解释了这些独特的批评习语是如何构建的,它们有什么共同点,以及它们如何将布莱克置于关于文化创造力的社会意义的更大的公共争论中。文章的第二部分通过关注布莱克在20世纪30年代和40年代现代主义和新浪漫主义艺术批评中的出现,追溯了这种新思维方式对布莱克的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
William Blake and the Spiritual Forms of Citizenship and Hospitality
The first part of this article focuses on previously unstudied materials relating to the critical recuperation of William Blake in the period between c.1910 and 1930. It notes how commentators utilised ideas of citizenship and hospitality when they attempted to modernise Blake’s interests and concerns. It explains how these distinctive critical idioms were constructed, what they had in common and how they situated Blake in larger public arguments about the social significance of cultural creativity. The second part of the article traces the ramifications of this new way of thinking about Blake by noting his appearance in modernist and neo-romantic art criticism in the 1930s and 1940s.
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