Fluchtgepack

IF 0.2 3区 文学 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN
Meike G. Werner
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引用次数: 0

摘要

摘要:本文以著名语言学家爱德华·贝伦德(Eduard Berend, 1883-1973)的大量信件为基础,重建了他精美的让-保罗文集的多面历史,这些文集于1957年成为马尔巴赫新成立的德意志文学档案馆(DLA)的基石。贝伦德是纳粹德国的一名难民,在日内瓦流亡了17年,应德国人民军的邀请,他得以继续对德国古典浪漫主义时期最多产的作家之一让·保罗(原名约翰·保罗·弗里德里希·里希特,1763-1825)的作品进行历史批判。普鲁士科学院在魏玛时代委托编写了批判版,贝伦德于1927年开始工作。但是,由于纳粹的种族政策,他在1938年被免去了编辑的职务。贝伦德和他的让-保罗-阿奇夫的回归标志着解放军解放军历史的开始,解放军解放军不仅是流亡文学的杰出研究中心,也是流亡学者的杰出研究中心。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Fluchtgepäck
Abstract Based on the expansive correspondence of the eminent philologist Eduard Berend (1883–1973), this essay reconstructs the multifaceted history of his exquisite Jean-Paul-collection, which, in 1957, became a cornerstone of the newly established Deutsches Literaturarchiv (DLA) in Marbach. Upon the invitation of the DLA, Berend, a refugee from Nazi Germany who had spent 17 years in exile in Geneva, was able to continue his work on the historical-critical edition of the works of Jean Paul (born Johann Paul Friedrich Richter, 1763–1825), one of Germany’s most prolific writers of the Classical-Romantic period. The Prussian Academy of Sciences had commissioned the critical edition in the Weimar era, and Berend had begun work on it in 1927. But, as a result of Nazi racial policy, he had been removed as the editor in 1938. The return of Berend and his Jean-Paul-Archiv mark the beginning of the DLA’s history as an exceptional research center not just for exile literature but also of and for exiled scholars.
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来源期刊
CiteScore
0.10
自引率
50.00%
发文量
14
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