捕捉与表达、质疑与理解:手势电子音乐表演中的手套

IF 3.4 Q2 ENGINEERING, BIOMEDICAL
Wearable technologies Pub Date : 2022-05-05 eCollection Date: 2022-01-01 DOI:10.1017/wtc.2022.3
Jan Schacher
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引用次数: 0

摘要

摘要基于手势的音乐表演与身体感应代表了可穿戴连接的特殊情况。手套和手感应接口连接到实时数字声音制作和转换过程,实现了徒手、富有表现力的音乐表演风格。在这篇文章中,研究了这个实践的起源和发展,以及一个具体的用例。以这种媒体表演的技术、认知和文化维度为基础,反思了运动翻译和分析的计算方法的价值、局限性和机会。这些见解揭示了这些表演所产生的多层次、复杂的艺术情境是如何充满交集的,并代表了研究物质存在和情感参与的有力放大器。这可以确定现有研究方法的问题和机会,以及在运动、音乐、交互技术和表演研究领域需要解决的核心问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Capture and express, question and understand: Gloves in gestural electronic music performance.

Gesture-based musical performance with on-body sensing represents a particular case of wearable connection. Gloves and hand-sensing interfaces connected to real-time digital sound production and transformation processes enable empty-handed, expressive musical performance styles. In this article, the origins and developments of this practice as well as a specific use case are investigated. By taking the technical, cognitive, and cultural dimensions of this media performance as foundation, a reflection on the value, limitations, and opportunities of computational approaches to movement translation and analysis is carried out. The insights uncover how the multilayered, complex artistic situations produced by these performances are rich in intersections and represent potent amplifiers for investigating corporeal presence and affective engagement. This allows to identify problems and opportunities of existing research approaches and core issues to be solved in the domain of movement, music, interaction technology, and performance research.

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来源期刊
CiteScore
5.80
自引率
0.00%
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审稿时长
11 weeks
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