弥尔顿的《撒旦在中国

IF 0.1 2区 文学 0 POETRY
Hao
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引用次数: 0

摘要

弥尔顿的撒旦在中国文化生活中具有重要意义,因为他的战斗精神激励了中国人过去为民族解放而斗争的精神,因为撒旦作为一个“激进的人文主义者”所创造的道德现实的诗意形象,对中国无神论读者仍然具有指导意义。值得注意的是,鲁迅在20世纪初是从无神论的角度来解读弥尔顿和撒旦的。后来的读者,尤其是金发申,一位重要的弥尔顿译者和威廉·Empson的学生,继承了我所说的“鲁迅传统”。本文概述了弥尔顿《撒旦在中国》的变迁,以显示这个人物在中国的当代意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Milton’s Satan in China
abstract:Milton’s Satan matters in the cultural life of China because his fighting spirit has inspired the Chinese struggle for national liberation in the past and because Satan as a poetic figure of moral reality created by a “radical humanist” is still instructive for Chinese atheist readers. Significantly, Lu Xun interpreted Milton and Satan from the perspective of atheism in the early twentieth century. Later readers, conspicuously Jin Fashen, an important Milton translator and a student of William Empson, have inherited what I call the “Lu Xun tradition.” This article outlines the vicissitudes of Milton’s Satan in China to show the character’s contemporary significance in the country.
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来源期刊
Milton Studies
Milton Studies POETRY-
CiteScore
0.40
自引率
50.00%
发文量
12
期刊介绍: Milton Studies is published annually by the University of Pittsburgh Press as a forum for Milton scholarship and criticism.
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