镀金时代的美国人与内战的消费

IF 0.4 3区 历史学 Q1 HISTORY
Shannon Bontrager
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引用次数: 0

摘要

Burns和Alice Paul利用了新的印刷技术,可以在报纸上轻松复制照片,同时“通过设计眼镜来吸引专业新闻摄影师,吸引他们向报纸和公众出售照片,从而进行现代化的宣传活动”(160)。他们的好斗和抗议为他们赢得了更多的关注,但与NAWSA将女权主义者描绘成“优雅、白人和道德母亲”的目标相冲突(161)。然而,NWP和NAWSA都自由地强调了他们的活动人士的白人身份。兰格对女权主义者视觉运动的分析表明,在公共场合改变国家对女性的看法很困难,并突出了黑人女性的生活经历和政治抱负所面临的许多裂痕。女权主义者开发的视觉策略,无论多么有限,仍然挑战了视觉表现的男性世界。而且,正如兰格所说,21世纪女性的图形化表现继续借鉴女权主义者在竞选中树立的先例。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Gilded Age Americans and the Consumption of the Civil War
Burns and Alice Paul took advantage of new print technology allowing the easy reproduction of photographs in newspapers, along with “modernized campaigns by designing spectacles that would attract professional press photographers who sold their pictures to newspapers and the public” (160). Their militance and their protests won them increased attention but clashed with the NAWSA’s goal of portraying suffragists as “refined, white, and moral mothers” (161). The NWP and the NAWSA both freely emphasized the whiteness of their activists, however. Lange’s analysis of suffragists’ visual campaigns shows the difficulty in changing the nation’s opinion about women in public and highlights the many fissures that further confronted the lived experiences and political ambitions of Black women. The visual strategies developed by suffragists, however limited, nevertheless challenged the masculine world of visual representation. And, as Lange argues, twenty-first century graphical representations of women continue to draw upon the precedents the suffragists set in their campaign for the vote.
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CiteScore
0.50
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发文量
51
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