关于艺术品拍卖的几点注记

IF 0.4 Q4 MANAGEMENT
E. Drabik
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引用次数: 0

摘要

艺术市场以金融市场为例,分为一级市场和二级市场,一级市场主要是艺术家的作品直接交易,二级市场主要是拍卖市场。2019冠状病毒病(COVID-19)和通货膨胀加剧影响了艺术品牛市的形成。一些买家的高收入和通货膨胀影响了所谓“闪光”艺术市场的出现。那些被忽视的艺术家的作品已经“有了自己的生命”:幻想艺术、年轻海报艺术家的作品、“噩梦”——已经卖了一年多了。害怕通货膨胀的人们把钱投入“艺术品”。拍卖市场在一级市场占据主导地位,因为匿名让进入艺术品市场变得更容易。画廊市场并不能保证这种匿名性。艺术品的拍卖市场经常被用来洗钱。本文的目的是表明,拍卖机制是一个很好的工具,有效地分配商品和货币在一个地区的通货膨胀和大多数艺术拍卖是不对称的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Few Notes On Art Auctions
Abstract The art market, following the example of financial markets, is divided into a primary market, where works are traded directly from artists, and a secondary market that is mainly the auction market. Coronavirus disease 2019 (COVID-19) and galloping inflation have influenced the creation of a bull market in artwork. The high incomes of some buyers and inflation have influenced the emergence of the so-called ‘glittery’ art market. Works by neglected artists have ‘very much taken on a life of their own’: fantasy art, works by young poster artists, casting ‘nightmares’ – have been selling well for more than a year. People terrified of inflation are putting their money ‘in works of art’. The auction market dominates the primary market because anonymity makes it easier to enter the art market. The gallery market does not guarantee this anonymity. Very often, the auction market for works of art is used for money laundering. The purpose of this paper is to show that auction mechanisms are a good tool for the efficient allocation of goods and money in an area of galloping inflation and most art auctions are asymmetry.
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来源期刊
CiteScore
2.20
自引率
0.00%
发文量
5
审稿时长
12 weeks
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