计算机网络音乐根源的个人回忆

IF 0.2 4区 艺术学 Q2 Arts and Humanities
Scot Gresham-Lancaster
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引用次数: 1

摘要

这段历史回忆详细描述了一种被称为“计算机网络音乐”的电子音乐的演变。早期的计算机网络音乐具有异质性,独立作曲家组成了一个集体;随着时间的推移,它已经转变为以大学为中心的更自主的“笔记本乐队”。这种转变表明,这种艺术实践所处的文化背景发生了根本性的转变:早期的作品源于后嬉皮士、新朋克无政府主义的合作社,这些合作社的成员梦想着机器能实现某种乌托邦。后者是网络实际存在的内在潜力以及基于统一和标准化的社会凝聚力的直接产物。这种风格的电脑音乐制作可以有效地作为一种课程工具,这一发现也深刻地影响了该领域许多人的发展和方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Personal Reminiscence on the Roots of Computer Network Music
This historical reminiscence details the evolution of a type of electronic music called “computer network music.” Early computer network music had a heterogeneous quality, with independent composers forming a collective; over time, it has transitioned into the more autonomous form of university-centered “laptop orchestra.” This transition points to a fundamental shift in the cultural contexts in which this artistic practice was and is embedded: The early work derived from the post-hippie, neo-punk anarchism of cooperatives whose members dreamed that machines would enable a kind of utopia. The latter is a direct outgrowth of the potential inherent in what networks actually are and of a sense of social cohesion based on uniformity and standardization. The discovery that this style of computer music-making can be effectively used as a curricular tool has also deeply affected the evolution and approaches of many in the field.
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来源期刊
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期刊介绍: Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.
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