结构问题:女权主义对话与穆斯林面纱

IF 0.4 2区 文学 0 LITERATURE
Kimberly Clough
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引用次数: 0

摘要

摘要:本文认为,黛博拉·埃利斯(Deborah Ellis)的《面包匠》(The Breadwinner)(2000)通过在北美和阿富汗妇女之间建立团结,抵抗性别压迫,为全球社会正义提供了女权主义干预。《面包屋》是为年轻成年观众创作的,经常出现在北美多元文化课程中。根据人类学研究,我认为埃利斯对罩袍和查多尔的不完美、有时甚至矛盾的描述引发了一场关于宗教和文化实践的对话,将非家长式的女权主义干预模式化为全球妇女压迫。埃利斯参与阿富汗妇女的斗争避免了西方女权主义对全球社会正义问题的反应中经常出现的两个极端——沉默和家长式作风。在分析这部小说对穆斯林面纱实践的描述时,我证明埃利斯有效地应对了她自己的西方女权主义假设,目的是尊重地将阿富汗妇女描绘成代理人,而不是暗示她们需要西方妇女来拯救她们。因此,The Breadwinner是一个关于全球激进主义的教育学和女权主义讨论的富有成果的网站。最终,我认为,女权主义在行动中需要反复尝试,将全球同行理解为政治和社会变革的必要动力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Fabric Matters: Feminist Dialogue and Muslim Veiling
Abstract:This article postulates that Deborah Ellis' The Breadwinner (2000) offers a feminist intervention into global social justice by building solidarity between North American and Afghan women resisting gendered oppression. The Breadwinner, written for young adult audiences, is frequently employed in North American multicultural curricula. Drawing on anthropological research, I argue that Ellis' imperfect and sometimes contradictory representations of the burqa and the chador initiate a dialogue about religious and cultural practices that models non-paternalistic feminist intervention into global women's oppression. Ellis' engagement with Afghan women's struggles avoids the two extremes—silence and paternalism—often present in western feminist reactions to global social justice issues. In analyzing the novel's representations of Muslim veiling practices, I demonstrate that Ellis productively grapples with her own western feminist presumptions in order to respectfully portray Afghan women as agential rather than implying that they need western women to save them. As such, The Breadwinner is a fruitful site for pedagogical and feminist discussions about global activism. Ultimately, I argue that feminism-in-action requires repeated attempts to understand global counterparts as a necessary impetus for political and social change.
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CiteScore
0.70
自引率
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发文量
41
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